Something to Declare: Something to Declare: Essays on France and French Culture

by Julian Barnes

Book Overview

For anyone who loves France (or just feels strongly about it) comes a "beautifully written" collection of essays (The New York Times Book Review) on the country and its culture--from the bestselling, Booker Prize-winning author of The Sense of an Ending.

Julian Barnes's appreciation extends from France's vanishing peasantry to its hyper-literate pop singers, from the gleeful iconoclasm of nouvelle vague cinema to the orgy...

• Format: Paperback
• Language: English
• ISBN: 1400030870
• ISBN13: 9781400030873
• Release Date: September 2003
• Publisher: Knopf Publishing Group
• Length: 320 Pages
• Weight: 0.65 lbs.
• Dimensions: 0.6" x 5.1" x 8.0"

Customer Reviews

Personal Francophilia

Julian Barnes is probably the British writer most associated with French influence over his literature. Most of his novels are influenced by France in one way or another, especially his acclaimed 1984 masterpiece, Flaubert's Parrot. In the introduction to these essays, Barnes traces his personal affiliation with France. From nervous childhood holidays with his parents, to his immersion in French language and culture while studying Languages at Oxford, ending with a 1997 trip across the Channel to deliver the ashes of his parents. He cheerfully admits a bias towards French culture over his native Anglo-Saxon and this fact permeates the essays here. The first part of the book features a range of essays on obscure French singers, the film director Francois Truffaut, Elizabeth David's cookery writing and, best of all, a lenghty piece on drug taking in the Tour de France. In the second half of the book, the emphasis shifts to Flaubert, Barnes's self professed literary idol. The essays span the full range of Flaubert's life and his associations: his biographers, his mistresses, his relationship with other writers and film versions of Madame Bovary. Flaubert was given extensive fictional treatment in 'Flaubert's Parrot' and these pieces perhaps read like a reworking of the research notes for that novel. Unlike most wannabe British continentals who think that to become au fait with European Culture one just has to eat at The River Cafe and take the occasional jaunt to Paris or Rome, Barnes has clearly read many pages of French literature and watched many metres of film. His depth and range of knowledge is impressive and the style is (as with all Barnes's writings) erudite, crisp and piercingly intelligent.

A wonderful collection of pieces

Barnes's collection falls into two halves. The first is a collection of pieces that might be said to have a French theme: a review and appreciation of Edith Wharton's account of a car journey taken through France, a piece of French songsters of the sixties, a very entertaining look at the perils of the Tour de France. The second half is nearly all given over to Flaubert, Barnes's obsession. The essays on the great writer are fascinating, especially those centered around his correspondence. Barnes's love for the writer and the man is contagious. I had no great enthusiasm for Flaubert, despite having loved Barnes's 'Flaubert's Parrot', but since reading this book I have read 'Madame Bovary' with a great deal of pleasure and have begun looking into the correspondence. All the essays are scrupulously and stylishly written and are worth reading for the prose alone.