Something Rich And Strange (Ibooks Fantasy Classics)

By Patricia A. McKillip

Book Overview

They have lived among us for centuries--distant, separate, just out of sight. They fill our myths, our legends, and the stories we tell our children in the dark of night. They come from the air, from... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1596871261
• ISBN13: 9781596871267
• Release Date: January 2005
• Publisher: Ibooks
• Length: 179 Pages
• Weight: 0.42 lbs.
• Dimensions: 7.5" x 0.3" x 5.0"

Customer Reviews

Something "Strange"

There is rarely a solid message in Patricia McKillip's books -- whatever message there is is usually fluid and hard to read. "Something Rich and Strange" is an exception to that rule, with a very mild message about the sea shining through a beautiful twist on the Tam Lin story. Jonah and Megan live in the Pacific Northwest, in a little seaside town where nothing much happens. That is, until the day Adam Fin comes there, with his beautiful pieces of otherworldly jewelry and a mysterious past. Megan finds herself fascinated by Adam. She's haunted by the sea, by strange and sometimes alarming characters lurking around, and by the image of the sea hare. But Jonah succumbs to a different kind of siren song, when a beautiful singer at a local bar lures him in with her voice. Soon he has left Megan, the world that he knows (and most of his brain cells) to follow the beautiful woman down into the waves. Megan goes down herself, to find her beloved and try to bring him back. In the process, she and Jonah both must discover the dangerous, angry, grieving beauty of the sea and what they must do for it. The novella is shorter than most of McKillip's books and longer than her short stories, yet full-fleshed and believable, the simplicity of the story masked by the ornate language she employs so well. Reading this book is like immersing yourself in an ornate, opulent aquarium. Repeated use of seaweed, pearls, bright fish, shells, mer-creatures, and exotic sea-creatures in unusual roles add a note of dreaminess to the proceedings -- not that they need it. Except for a few key Jonah-Megan scenes, the entire book has the feel of a beautiful, prolonged dream, wrapped up in detailed writing and strong imagery. Also unlike most of McKillip's books, this is a contemporary novel, as evidenced by the first page where Megan finds an Orange Crush can and a styrofoam float. Yet this never interferes with the flow of the book, which deals with imagery as timeless as the sea itself. Don't expect the Big Message to beat you over the head with its theme -- McKillip weaves it in softly and subtlely, though it is hinted in where Megan walks along the beach and sees the junk strewn around. The message about pollution becomes clearest at the end, but during subsequent rereadings one can see the clues lined up, but never overemphasized. Adam himself is everything he's supposed to be--sexy, ambiguous, in form as well as in mind, for we see him shift from everything from a man to a splash of shapeshifting sea-foam. His sister is not as defined--we know she is dangerous, beautiful, seductive, etc--but perhaps that is deliberate, as we see little of her but constant hints as Jonah pursues her. One of McKillip's less known novels is also among her best. "Something Rich and Strange" proves to be a magical, beautiful journey into an enchanted sea realm. You'll never see a picture of a mermaid the same way again.

A place of beauty

There is rarely a solid message in Patricia McKillip's books -- whatever message there is is usually fluid and hard to read. "Something Rich and Strange" is an exception, with a very mild message about the sea shining through a beautiful twist on the Tam Lin story. Jonah and Megan are lovers living together in the Pacific Northwest, an artist and a art storekeeper, in a little seaside town where nothing much happens. That is, until the day Adam Fin comes there, with his beautiful pieces of otherworldly jewelry and a mysterious past. Megan finds herself fascinated by Adam, while Jonah finds him strange. Megan is haunted by the sea, by strange and sometimes alarming characters lurking around, and by the image of the sea hare. But Jonah succumbs to a different kind of siren song, when a beautiful singer at a local bar lures him in with her voice. Soon he has left Megan, the world that he knows, and most of his brain cells to follow the beautiful woman down into the waves. Megan agrees to venture down herself, along with the enigmatic Adam, to find her beloved and try to bring him back. In the process, she and Jonah both must discover the dangerous, angry, grieving beauty of the sea and what they must do for it. The novella is shorter than most of McKillip's books and longer than her short stories, yet full-fleshed and believable, the simplicity of the story masked by the ornate language she employs so well. Repeated use of seaweed, pearls, bright fish, shells, mer-creatures, and exotic sea-creatures in unusual roles add a note of dreaminess to the proceedings--not that they need it. Except for a few key Jonah-Megan scenes, the entire book has the feel of a beautiful, prolonged dream. Also unlike most of McKillip's books, this is a contemporary novel, as evidenced by the first page where Megan finds an Orange Crush can and a styrofoam float. Yet this never interferes with the flow of the book, which deals with imagery as timeless as the sea itself. Don't expect the Big Message to beat you over the head with its theme -- McKillip weaves it in softly and subtlely, though it is hinted in where Megan walks along the beach and sees the junk strewn around. The message about pollution becomes clearest at the end, but during subsequent rereadings one can see the clues lined up, but never overemphasized. The characters are well-drawn: Megan, the rather misty young woman who only really seems to wake up when she heads down into the dreamy world of the sea. Jonah is aptly named, a rather bedazzled young man gets sucked (ironically, by his own will rather than against it) down into the depths. "Welcome to the belly of the whale" indeed. Adam himself is everything he's supposed to be--sexy, ambiguous, in form as well as in mind, for we see him shift from everything from a man to a splash of shapeshifting sea-foam. His sister is not as defined--we know she is dangerous, beautiful, seductive, etc--but perhaps that is deliberate, as we see little of her but con

Beautiful...

"Full fathom five thy father lies, Of his bones are coral made, Those are pearls that were his eyes; Nothing of him that doth fade But doth suffer a sea-change Into something rich and strange."Lovers Jonah and Megan--he the owner of an art store somewhere on the Pacific Northwest coast, she an artist who sketches the sea--find themselves changing into things "rich and strange" when a pair of elusive and fascinating strangers enter their lives. The strangeness begins with little things--images appear of their own accord in Megan's drawings, an enigmatic sculptor named Adam Fin begins to frequent the store--but when a mysterious singer claimed as Adam's sister lures Jonah into her own realm, it changes from a mystery of the everyday world to a mystery of the Otherworld. To find Jonah, Megan will have to first discover and then see past the legends in which Adam and his powerful sister have clothed themselves, and Jonah must learn to look past his fascination with the siren song to see what provokes such terrible beauty, grief, and rage. The story of "Something Rich and Strange" unfolds like a dream, all the while ringing very true to life. Patricia McKillip's writing is rich in texture and imagery: vivid, precise, and often surreal; she is equally adept at describing the luminous beauty of an undersea kingdom as well as Megan and Jonah's banter over dinner. The images she sculpts have a true ring of otherworldly beauty to them; Adam and his sister speak in human words, but they are not human, and while humans spin stories around their powerful realm, that is not human either. McKillip never lets the reader forget that; her mysterious sea is never ours to claim, only ours to remember and preserve. Read "Something Rich and Strange" three times: once for the story, once for the jeweled prose, once for its message. And then read it a fourth time, for no reason except that the story deserves it. It will still be good: the changeable sea is eternal.

McKillip writes a pearl inspired by the pull of the tide.

Something Rich and Strange offers the reader the oftenly needed crash of reality. By not losing the mystery and enchantment of the ocean, McKillip shows how humanity's blind ignorance is killing the magic found beneath the tide. Even when the powers below cry out for help they must disquise it with a Siren's Song and not frantic plea for survival. The book has a pace equal to the waves crashing on the shore, be it during a hurricane or a spring shower, that is left up for the reader to decide.