"Sheridan to Robertson" is a comprehensive and scholarly exploration of the transformation of the London stage during a pivotal century of theatrical history. Spanning the period from the late eighteenth century to the mid-Victorian era, Ernest Bradlee Watson traces the evolution of British drama from the classic wit of Richard Brinsley Sheridan to the revolutionary realism of Thomas William Robertson. This work delves into the complex dynamics of the London theater world, examining the decline of the monopoly held by the patent theaters, the rise of the minor houses, and the shifting tastes of the playgoing public.
Watson provides detailed analysis of the changing techniques in acting, scenic design, and stage management that defined the era. The book highlights the transition from rhetorical, grand-scale performances to the "cup-and-saucer" realism that Robertson pioneered, marking the birth of modern drama. Through meticulous research, the author illustrates how social changes and legal battles over theatrical licenses influenced the creative output of the time. "Sheridan to Robertson" remains an essential resource for students of theater history, offering a vivid portrait of the actors, managers, and playwrights who shaped the British stage into the institution it became at the turn of the century.
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