Shaking the Money Tree: The Art of Getting Grants and Donations for Film and Video Projects

By Morrie Warshawski

Book Overview

Now consultant Morrie Warshawski has created a new, completely revised and updated version that gives filmakers the full story on how to get grants and donations from individuals, foundations,... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1932907661
• ISBN13: 9781932907667
• Release Date: January 2010
• Publisher: Michael Wiese Productions
• Length: 192 Pages
• Weight: 0.63 lbs.
• Dimensions: 0.5" x 6.0" x 8.9"

Customer Reviews

Required reading for ALL film producers.

If I ever meet Morrie Warshawski, I will probably embarrass us both by giving him a huge hug. In 97 easy-to-read pages (plus another 60+ helpful pages with sample grant proposals, budget forms and a bibliography), he succinctly lays out a viable process for successfully seeking grants for film and television projects. What struck me about "Shaking the Money Tree" was how it is actually a basic primer for all fundraising projects, not just film. Warshawski starts with the basics: developing mission and vision statements (Chapter 1 - "Laying the Foundation: Your Career"). While these steps should be obvious to any nonprofit organization, this is new territory for many independent filmmakers. Warshawski asserts "funding problems are almost always routed in a basic set of unresolved career issues." Not only does he contend that mission and vision statements are necessary, but that filmmakers must identify a set of values by which they choose projects and people with which to work. All of this, claims Warshawski, adds focus to filmmakers' efforts, and keeps them from wasting time on projects for which they have no vision or passion. Valuable lessons for any nonprofit organization. For the rest of Chapter 1, Warshawski takes the reader through a series of career development steps: articulating major short and long-term goals; identifying people and organizations with which to interact in order to succeed; evaluating progress against the career goals; acquiring promotional tools to spotlight the filmmaker and his/her projects; and networking to avoid isolation. In Chapter 2 ("Where's the Money?"), Warshawski provides an overview of the various categories of funding potentially available to a filmmaker (individuals, foundations, corporations, government agencies, other nonprofits). He correctly points out that there is an abundance of funding sources (not to be confused with an abundance of funds), but the challenge is determining which sources are appropriate for the particular project. He recommends creating a fundraising plan, identifying the most suitable prospects and determining the most effective way to formulate and make the request. (Again, a sound methodology for any nonprofit.) Warshawski identifies the upside and downside to each category, reviews how to find them and, generally, how to approach them (more information on research and proposals is provided in subsequent chapters). Chapter 3 ("Patchwork Quilt - Putting Your Project Together") was one of my favorites. Warshawski points out that a major impediment to successfully finding funds is beginning fundraising before the project is fully developed and thus not being able to completely answer all of a potential funder's questions. He highlights the difference between "this is a story that must be told" and "this is a story that must be heard." As is the case with all fundraising, one must start with the need. Warshawski runs through the elements of a solid plan, and expla

How the financial side of the film business really works

Now in an expanded and updated second edition, Shaking The Money Tree: How To Get Grants And Donations For Film And Television by Morrie Warshawski is a ground breaking instructional manual in the art of fundraising for the financing of noncommercial film and video projects. Presenting the basics of how to apply for and earn grants and/or donations from individuals, foundations, government agencies, corporations, and more, Shaking The Money Tree combines direct decorum with an invaluable insight for how the financial side of the film business really works, as well as being peppered with useful grant forms and superb grant writing examples. If you have a film or television project that you need to finance -- begin with a close and careful reading of Morrie Warshawski's Shaking The Money Tree!

Must Read!

This is a great book...after searching high and low and all over the internet, I found a concise, informative and helpful resource to walk me through the complex world of fundraising for media. I'm applying Morrie's suggestions to my movie's business plan. Everyone interested in film/video should read this book.

Review of SHAKING THE MONEY TREE

A few years ago I was trying to make a couple of short films and was thus foraging around for money. There was a certain book that was recommended to me more than any other: SHAKING THE MONEY TREE. This book, unfortunately, was out of print. And the copies in the library had been stolen. Written by one of the foremost advisors to indie filmmakers seeking budgets, Morrie Warshawski, the first edition had become a sought-after tome of strategies and funding sources for those itching to follow in the footsteps of Spike Lee or Richard Linklater. Now comes the 2nd edition from publisher Michael Wiese Productions. SHAKING THE MONEY TREE may be lean on lists of sources, but it's rich with strategies on how to raise funds. Which is really what filmmakers need. After all, the lists are easy to come by since the astonishing rise of the Internet, a rise that occurred entirely in the 10 year span of time between the first and second editions of SHAKING THE MONEY TREE. Warshawski notes in the forward that whereas he had literally no mention of the internet in his first edition, he declares is an essential ingredient in the second.As I mentioned, Warshawski keeps the focus of his book not on exhaustive lists of foundations, but what most indie filmmakers really need: improving their skills at organizing your fundraising and-most important-the one-on-one ask for cash.Your average filmmaker won't mind sitting through a mind-numbingly pretentious new film because the famous director is present and the filmmaker might get to say two words to this famous person, but that same filmmaker will shun the opportunity to sit down with a wealthy friend or relative for twenty minutes and actually ASK for money.The strange mix of timidity and entitlement that drives a filmmaker into his or her creative endeavors is the same mix that makes him believe "They should just GIVE me the money." Warshawski's book dispels those absurd dreams and sets the filmmaker on the track of raising money through persistent hard work. Warshawski, a long time consultant on documentaries and narrative films, breaks down the various processes of fundraising by individuals, corporations, foundation, government grants, small businesses and non-profits. He gives different strategies for documentary filmmakers, for animators, for narrative filmmakers and for experimental film and video artists. He includes resources, such as a sample letter for fundraising written by a celebrity, a successful grant proposal and budget form for the National Endowment for the Humanities, and a list of other helpful books and websites that will lead a filmmaker to direct funding sources. But the strength of SHAKING THE MONEY TREE is the way Warshawski educates the reader about how to think about fundraising. After reading the book, the filmmaker can stop being nervous around the face-to-face ask and instead begin role-playing and working his inevitable pitch into the best pitch it can be.

A valuable book

If you are going to raise funds, you need a well-thought out plan. Novices often waste time and resources learning by trial and error. In SHAKING THE MONEY TREE, Morrie Warshawski offers expert and no-nonsense advice that will be invaluable to filmmakers seeking grants and donations. Mark Litwak, author and entertainment attorney.