Sexual Perversity in Chicago and the Duck Variations: Two Plays

by David Mamet and Professor David Mamet

Book Overview

David Mamet is one of America's most celebrated playwrights. The author of plays, screenplays, poetry, essays, and children's books, he has won many awards, including the Pulitzer Prize for Glengarry Glen Ross.

The Obie award-winning Sexual Perversity in Chicago is about two office workers, Danny and Bernie, on the make in the swinging singles scene of the early 1970s. Danny meets Deborah in a library and soon they are not only lovers but roommates,...

• Format: Paperback
• Language: English
• ISBN: 080215011X
• ISBN13: 9780802150110
• Release Date: January 1994
• Publisher: Grove Press
• Length: 128 Pages
• Weight: 0.36 lbs.
• Dimensions: 0.4" x 5.3" x 8.3"

Customer Reviews

Nobody does it like Mamet

Kazerinsky destroyed this play when he made the movie "About Last Night." Read the play, enjoy the language and the irony. Mamet is the best.

Whoroscope and the Fowl Permutations

Forget *Swingers*, forget *High Fidelity*, forget Tarantino's trash-talking hoods, David Mamet got there way before these belated young Turks. *Sexual Perversity in Chicago* is a brilliant, in-your-face series of vignettes sloshing through the muck of modern relationships. Two men and two women lock horns in a lewd scrimmage of blackly funny narcissistic power-plays, a despairing search for flitting, short-lived solace and pleasure, blasted by cruelty, impatience, tooth-and-claw feral soliloquy on why the opposite gender is one-part vampire, one-part Machiavel, can't live with them, can't sell them for parts (tee-hee).Metropolitan swingers circling the drain of mean-streets cynicism and tough-talking bachelorhood, trawling the muddy waters of singles bars and yuppie night spots, searching for that ephemeral ounce of pleasure in a world of subterfuge and delay, mind-games and cruel deception, an odium of broken expectations and buried dreams.... Funny as the play is, it's distressing to have our noses rubbed in this point-blank opprobrium of our own basest impulses, the Spirit of Revenge which contaminates many of our frantic attempts to love and be loved.Refreshingly, the women in Mamet's play seem much more interesting than the men, if only because their cynicism is more richly varied, more intellectually pungent. As shellshocked veterans of the gender war, it remains difficult to decide whether Mamet's scenarios are A: exaggerated worst-case aberrations, or B: (gulp) true-to-life tableaux on how perversely we are prone to behave toward one another, a vicious circle of paranoid self-hatred razing the purlieus of conventional "happiness" (or post-coital afterglow, once the bar is dropped). Mamet suggests that at the outer limits of cynical self-abasement, human beings will "experiment" with cruelty the same way an S & M enthusiast would assay with handcuffs and bullwhip, the minds and hearts of anonymous lovers beaten like a Teletubbie pinata with the broomstick of our own wounded narcissism.*The Duck Variations* is a classic low-budget scenario about two post-Beckettian bumps on a log pontificating on life, death, and the migratory patterns of Midwestern fowl. In the mind's eye theater I was forced to cast Jack Lemmon and the late Walter Mathau as Emil and George, two grumpy old men shadow-boxing in the dusklands of existential twilight. Mamet seemed still unable (or unwilling) at this point to write a full-length, tightly plotted drama, but the fragmentary dialogue presented here is brilliantly caustic, evocative, piercing and droll. Emil's and George's sedentary anxiety over the park wildlife that play out and exemplify the human condition, their ability to sublimate the necrophobic terrors of old-fogeyhood with caustic wit and good-natured foreboding, is presented with dashing brilliance and aplomb, a wonderfully true friendship between two men skirting the edges of karmic inquiry. Written in Mamet's early twenties, *The Duck Variati

Brilliant Wordsmith

David Mamet proves time and time again that he has mastered the language of men and women alike. Sexual Perversity is an abrasive but honest look at the state of sex in the minds of adults during the post-collegiate and early career building years. Mamet, as in all of his plays, shows honest humanity in tangible, easily-believed characters. The language is obscene & perverse but horrificly true-to-life and natural. Working with nothing more thant stereotypes, he chisels out characters so real and so vivid as to leave the audience thirsting for more. David Mamet has proven himself time and time again that he is a not only the definitive analysis of pop culture and modern trends, but also a brilliant wordsmith as well.

Nature, the Duck, and Death

Nature, the Duck, and Death...is it all morbid useless talk? Not to David Mamet. In his play, The Duck Variations, the true ways of this fowl creature are discussed humorously, leaving the audience or the reader in stitches. I personally used an excerpt of this piece this past year for duo interpretation for my speech and debate team, and I promise that these ducks never let us down. A great play for those who like different approaches to theatre.