Saville

By David Storey

Book Overview

'This is the story of Colin Saville, a miner's son, and his growth from the 1930s on, his rise in the world by way of grammar school and college. At first there is triumph in this, not least for the father who had spurred him on, but later "alienated from his class, and with nowhere yet to go" Colin finds himself spiritually destitute, bitter, still held against his will in the place that made him . . . A feast of a book . . . it engenders remarkable tension because this self-effacing author, before removing himself from the book, seems to enter organically into his characters, writing from the gut of their experience.' - Sunday Telegraph

David Storey's Booker Prize winner Saville (1976) - called 'the best of all the Bookers' by a leading British critic - returns to print in the United States for the first time in decades in this new edition, which includes a new foreword by the author and the original dust jacket art by Tom Adams. Acclaimed in both England and America as one of the leading authors of his generation, Storey won numerous major awards for his works during the 1960s and 70s, but his works have fallen into neglect in the United States in recent years. Valancourt Books has also republished Storey's Radcliffe and Pasmore, with the aim of enabling American readers to rediscover this important and immensely talented author.

'Reading this magnificent book is like drinking pure spring water from cupped hands. It has no false notes, no heaviness of emphasis, no editorial manipulations of plot to prove a point. One becomes so totally involved in the lives of these people that their every word and action becomes charged with meaning.... Reminiscent of a nineteenth-century classic.' - Jeremy Brooks, Sunday Times

'Mesmerically readable, Saville is a revelation. It is alive with light and air and a kind of perpetual motion.' - Michael Ratcliffe, The Times

'Again and again I found myself paying Storey the reader's finest compliment of saying, "This is the way it has to be, because this is the way it really is." If you are looking for an intellectual and artistic honesty, a patient thoughtfulness and detailed insight into other lives, a controlled drama of ordinary and extraordinary people, this novel will delight and move you.' - C.J. Driver, The Guardian

'Saville is not one word too long. It was worth the ten years it took to write for the result of this industry is a clarity of style and a purity of design. An epic narrative, crowded, naturalistic and riveting.' - Valerie Jenkins, Evening Standard

'Not once during its 506 pages did the familiar man with the stop-watch intervene to challenge my total immersion in the life of Colin Saville.' - David Caute, New Statesman

'This minutely focused novel of childhood and growth is David Storey's most ambitious book so far. His previous novels seem in retrospect to be mere ranging shots or flanking attacks: this is the assault on the stronghold. . . . a major achievement.' - Eric Korn, Times Literary Supplement

'No one has written of this classic dilemma with such detail and penetration as we find in Saville, nor has any previous novel so totally described a working-class family in transition during the real revolution of the forties and fifties.' - Ronald Blythe, The Listener

'A marvellous evocation of place and character . . . this is a book made more than usually remarkable by its intensity of feeling.' - Daily Telegraph

• Format: Paperback
• Language: English
• ISBN: 1939140560
• ISBN13: 9781939140562
• Release Date: July 2023
• Publisher: Valancourt Books
• Length: 490 Pages
• Weight: 1.35 lbs.
• Dimensions: 1.2" x 5.5" x 8.5"

Customer Reviews

Philip Spires reflects on Saville by David Storey

Saville won the Booker Prize in 1976. In such a vast novel it is inevitable that the pace will occasionally quicken and slacken, but a book like this can be read over weeks, almost dipped into as the passing phases of Colin's life unfold. David Story was born in Wakefield, and so was I. It could be argued that his most famous and perhaps still most successful work is "This Sporting Life", a portrait of a Rugby League player who achieves local fame and then notoriety as his life and career blossom and then fall apart. It was filmed in the early 1960s, with Richard Harris playing the starring role. Along with about 28000 others, I was in Wakefield Trinity's Belle Vue ground soon after midday to make sure that I got a standing place by the railings next to the pitch to see Trinity play Wigan in a cup-tie. I was only ten and needed to be early because, had I been further back amongst the crowd, I would have seen nothing. Wakefield beat Wigan 5-4, with Fred Smith scoring the only try of the game at my end. They went on to win at Wembley that year, beating Huddersfield in the game where Neil Fox used a drop goal strategy not seen before or since. But before that cup-tie against Wigan, the packed Trinity ground became a film set. We were all unpaid extras as Richard Harris and members of the Trinity second team filmed some actions Sequences for "This Sporting Life". I show no disrespect for Richard Harris by recalling that the sequence required a whole string of takes, necessitated by the fact that the star kept dropping the ball! I have seen the film several times, but I have not yet managed to spot my short-trousered legs behind the sticks at the Belle Vue end. They are there, somewhere. I digress at length from my intended review because Colin, the central character of Saville, could easily have been me, or perhaps my older brother. Like Colin we were brought up in a small Yorkshire mining village. Also like Colin we went to a grammar school and experienced similar tensions and contradictions as a result of social class differences. And again like Colin we both became, as a result of that education, something previous generations of our permanent-feeling community had never aspired to, perhaps never knew existed. Unlike Colin, we did not aspire to become writers, except of course for me, who eventually tried to become one! It was the education that changed everything and this aspect of Saville is beautifully portrayed, right down to the visit to the old Kingswell's shop in Wakefield to buy the ludicrously expensive school uniform, a source of pride for the miner's family, but also a pointer indicating how lives will inevitably diverge. Saville also deals with how social mores were changing in the new second half of the twentieth century. Colin's parents simply could not relate to how his life was developing, perhaps finding hardest to stomach the individuality that he developed and was determined to express. It was a quality you could not pursue w

"Alienated from his class and nowhere yet to go."

Storey's 1976 Booker Prize-winner captures the heart of its characters, draws in the reader, and smoothly traces the life of Colin Saville from his childhood to early adulthood in the small and dying mining village of Saxton. In some ways, Saville is the archetype of all those young people who have used their educations--and some luck--to develop interests which take them beyond their smalltown villages and into the wider world. As Storey shows us, this is not a smooth transition, and it is not done without regrets and feelings of abandoning family ties. Set during World War II and after, the novel concentrates on daily life as a young boy deals as well as he can with the circumstances of life, even when he has to live with a neighbor for several months because his mother is hospitalized and his father works at night. Always limiting his descriptions to what the main character would observe at various stages of his life, Storey conveys Colin's world realistically, from his embarrassment at having a bath in front of the neighbor woman he stays with to his feeling that "everyone had moved away. At school he was suddenly cut off." Colin's friends range from Batty and Stringer, two young delinquents who have a "hut" in the woods, to Michael Reagan, a violinist, fat Ian Bletchley, and Stafford, a wealthy boy who befriends him in school. Through them Storey is able to create a realistic novel which also shows what happens to these other, equally typical characters as the post-war years progress. At school Colin is subjected to snobbism, sadistic punishment, and emotional abuse by teachers who seem to regret their own lack of success and their awareness that the class structures of which they have been a part are breaking down. But he survives, making friends, discovering women, and learning about equality, both in terms of women's liberation and in terms of his own potential. Ultimately, a colleague tells Colin, now an adult, "You don't belong to any class, since you live with one class, respond like another, and feel attachments to none." This breaking up of traditional class structures is Storey's theme, one repeated throughout countries and ages as young people achieve more than their parents, the communal spirit of villages changes, opportunities open up for those who work for them, and life becomes more global. Gracefully written, with not a word out of place, I can not recall when I've found a 500-page book that reads so quickly and so enjoyably. Mary Whipple