Francis of Assisi is, after Mary of Nazareth, the greatest saint in the Christian calendar, and one of the most influential men in the whole of human history. By universal acclaim, this biography by G. K. Chesterton is considered the best appreciation of Francis's life--the one that gets to the heart of the matter. For Chesterton, Francis is a great paradoxical figure, a man who loved women but vowed himself to chastity; an artist who loved the pleasures of the natural world as few have loved them, but vowed himself to the most austere poverty, stripping himself naked in the public square so all could see that he had renounced his worldly goods; a clown who stood on his head in order to see the world aright. Chesterton gives us Francis in his world-the riotously colorful world of the High Middle Ages, a world with more pageantry and romance than we have seen before or since. Here is the Francis who tried to end the Crusades by talking to the Saracens, and who interceded with the emperor on behalf of the birds. Here is the Francis who inspired a revolution in art that began with Giotto and a revolution in poetry that began with Dante. Here is the Francis who prayed and danced with pagan abandon, who talked to animals, who invented the creche.
It is mostly Chesterton staying off-topic and profiling his ability to write cute sentences, continually pointing at himself in that way rather than pointing at the ostensible subject of the book. I haven't looked, but I assume there is a preferable wiki article.
A thing of beauty...
Published by Thriftbooks.com User , 21 years ago
G.K. Chesterton is one of the best Christian writers of the twentieth century. Prolific and artistic, he had the knack for combining a classic British commentary sense to any historical Christian subject, making it both the object of cultural interest and often historic reverence. As St. Francis of Assisi was one of the primary influences on Chesterton's decision to convert to Roman Catholicism (Chesterton once described his conversion as being largely due to wanting to belong to the same institution that had produced St. Francis), it makes sense that Chesterton would devote considerable energies toward this biography.Chesterton said that there are essentially three ways to approach a biography of a figure such as St. Francis - one can be dispassionately objective (or at least as much as can pass for such a stance), looking at things from a 'purely' historical standpoint; one can go to the opposite extreme and treat the figure as an object of devotion and worship; or one can take a third path (and you've guessed correctly if you assumed this was Chesterton's route) of looking at the character as an interested outsider, someone in the modern world but still one involved in the same kinds of structures and virtues as the one being studied. Chesterton's prose is snappy and lively, witty and bit sardonic at times. Chesterton is not afraid to digress to make his own points, and like the intellectual critic who cannot contain the myriad of responses to particular points, Chesterton treats us to a generous collection of tangential observations. One discovers, for instance, Chesterton's opinion of modern British history (that it reads more like journalism than like a developed narrative) - he makes the observation that journalists rarely think to publish a 'life' until the death of the subject; this of course cannot be helped in the case of Francis of Assisi, but the method of the media serves to highlight the difference in world-view between then and now. This is a spiritual biography - it does not simply go from event to event in Francis' life, but rather looks as the development of his spirituality, his calling, his order and his influence in later church (and more general) history. In his discussion, he looks at miracles and poetic production, political realities and logical fallacies, ancient sentiments and present-day practices. Francis is seen in many ways as the Mirror of Christ (not quite the same thing as the WWJD fad of the current day, but approximating the sense in some regards), but this sets up an interesting logical situation - if Francis is like Christ, then Christ is in some ways like Francis. Chesterton points out the importance of the difference, likening it to the difference between creator and creature, but there is still the interesting development in history where some tried to make Francis a second Christ (something Francis himself would have opposed bitterly). Fun, fascinating, spiritual without succumbing to kitsch, i
A Rake on a Rake . . .
Published by Thriftbooks.com User , 22 years ago
G.K. Chesterton is one of the most interesting people who ever lived. His prodigious output and outlandish appearance have made him an unforgettable part of Western culture. But in this book, we have the eccentric Chesterton writing about the even more astounding character of St. Francis of Assisi. Chesterton goes through several interesting sketches of St. Francis' life (which are interesting by themselves) and then draws all sorts of fantastic conclusions from the episodes. I strongly recommend this book to anyone who is curious about Chesterton's writing and Francis' life.
A brilliant and unconventional biographical work
Published by Thriftbooks.com User , 25 years ago
G.K. Chesterton's "St. Francis of Assisi" is not your conventional timeline of the events in a man's life. Instead, Chesterton focuses on Francis' relationship with God and his historical context, background and impact. I first read this book a year ago and have just read it again - it's one of those books that are so rich that you discover something new each time you pick it up. If you've ever read "The Little Flowers of St. Francis" (about the events in Francis' life), this is the book to read next. It is a great aid to understanding Francis as a person and not just as "the bird bath saint". I highly recommend this book.
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