Roderick Vol 1

by John Sladek

Book Overview

Roderik is a robot and he's on the run in the USA of the very near future. He's on the run for having been illicitly conceived and manufactured at the University of Minnetonka. He is also a 'learning... This description may be from another edition of this product.

• Format: Mass Market Paperback
• Language: English
• ISBN: 0671448862
• ISBN13: 9780671448868
• Release Date: April 1982
• Publisher: Pocket Books
• Length: 256 Pages
• Weight: 0.30 lbs.

Customer Reviews

Growing Up Mechanical

A darkly comic fantasy about a learning machine named Roderick, and his unusual upbringing. Wrested from his creators at far too early an age, Roderick finds himself habitually used and abused by everyone he encounters, but manages to take it all in stride. The tone of the story makes it stand out in a genre full of artificial intelligences, but the most endearing facet of the book is Roderick himself, who unlike many fictional robots, is very limited by his knowledge-base. Like a mechanical Forrest Gump, Roderick does what he's told because he doesn't have any better ideas, and doesn't know enough to be able to pass moral judgments on those who are giving the orders. The author slyly uses this device to poke fun at some of the sillier aspects of 20th Century America, allowing us to see the effect our culture's messages have on one who accepts everything at face value. At the same time, Sladek clearly has little compassion for human foibles; the people Roderick encounters often represent the worst humanity has to offer, although most of them are very familiar types nonetheless. Even Ma and Pa Wood, who care for Roderick more than anyone, don't seem to really understand him. The story might have been a lot funnier if the reader didn't feel so bad for poor Roderick. As it is, he remains a tragicomic figure, and the novel is slightly less successful for this duality. So while not a masterpiece, this is still a very entertaining book. A sequel, Roderick at Random, has less to offer in the way of interesting ideas, and is not really essential.

Sladek's satirical masterpiece

Jean Harlow (as Kitty Pachard): I read this book... the man says machines are going to take over every profession!Marie Dressler (as Carlotta Vance): (Looks her over) My dear, you've got nothing to worry about.Just one of the dry and appropriate quotations the renownedly erudite Sladek uses to pepper the chapter headings in this brilliant book about a very human machine in a dehumanised world full of mechanical people. Roderick is a learning machine - the product of a highly experimental artificial intelligence project at the University of Minnetonka. But the project's funding is under threat and their leading genius is on the verge of mental breakdown. Roderick escapes and is adopted, bought or just kidnapped by one after another crazy person - beginning with a disfunctional couple who neglect him. He starts to learn all about the world from TV, and begins the long process of trying to work the whole thing out using his (as you would expect) powerfully logical brain. He is forced to work in a fairground by the scary Mr Kratt, comes across a sinister corporate conspiracy, and is eventually adopted by the warm-hearted, but extremely eccentric Ma and Pa Wood who teach him human values and try to get his body sorted out for him. If the story sounds a bit like the "Wizard of Oz" or "The Brave Little Toaster" believe me it isn't - well I suppose it is a bit, but it's also full of dark humour, weird characters and hilarious situations. There's beautifully observed school scenes, and an unforgettable theological discussion with a very worried priest. There's the story of Abraham and Isaac as a flow chart, and lots of strange little codes and puzzles to work out. There's obsessive artists, craven academics, moronic TV shows and general satirising of all the crass things we've come to accept as inescapable parts of modern life in the twenty years since the book was written. Together with its sequal "Roderick at Random", "Roderick" - one of David Pringle's "Science Fiction: One Hundred Best Novels" - is a fitting memorial to a great modern satirist who died in March this year.