The observation proposed here in this content concerns the categorization of the musical heritages of the societies of oral tradition of Central Africa, essentially Gabon. This essay is a jump into the tradition which is a dance forest by its inexhaustible content. The author flies over the subject without dwelling on it. Everyone knows that the field is inextricable by the content of its wealth of habits and customs of this coveted Africa. This work is based on circumspect observations; it is all at once a collection of data carried out with a certain population. The practice acquired in the field shows that each community orders the pieces that make up its musical heritage into a certain number of ensembles.
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