Rewrite What is Written
She has been dead for three thousand years. She has never stopped fighting.
When archaeologist Farouk's boot breaks through the desert floor in 1958 and reveals a mural that should not exist, he has no idea what he has just unleashed. The eyes in the painting are watching him. And then they blink.
Dina was buried alive by a pharaoh's command. The man she loved was torn apart on a riverbank and his bones scattered deliberately across the sand, an act of cruelty designed to unmake him not just in life, but in death. The curse her father spoke gave her one chance at revenge, one sacred object to recover, one bargain to honor with the god of the dead.
She failed. Twice.
Now the terms have changed.
Back in the living world, not as flesh, not as the woman she was, but as something the underworld has no name for - Dina has one task before she loses him forever. Two hundred and six bones. One desert. One archaeologist who should have run the moment the sand moved.
But recovering Aper's bones is only the beginning. Because the underworld has been watching Dina for three thousand years, and Anubis does not let a weapon like her go to waste. The fractured dead are everywhere - souls torn apart by violence, scattered by time, dissolving in the dark. And Dina, it turns out, is the only thing that can find them.
She could grieve. She could walk through the gate right now and let it all end.
She has other plans.
Can be read as a standalone or as part of the series. For readers of Matthew Reilly, Andy McDermott, and Wilbur Smith. Dina in the previous books of the Lost Tomb series: Lost Tomb, Venomous Dunes, Mummy Returns
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