When Roy Batty invokes William Blake's vision of fallen angels in Blade Runner, his imagery resonates far beyond the film's dystopian framing. His descent evokes a lineage of archetypal figures such as Enkidu, Hephaestus, Lucifer, Adam, and Christ, linking the replicants' struggle to mythic and theological themes of exile, rebellion, and redemption. This book examines persistent imagery through the lens of Ridley Scott's film, following doubles, changelings, and artificial beings who pass as human. By using mythology, folklore, literature, cinema, and comics to inform the conversation, the book connects concepts that add depth to the film's symbolism.
Replicants are positioned as metaphors for the anonymity and alienation of modern urban life. Their manufactured identities reflect the enervated masses of The Epic of Gilgamesh, the mechanized workers of Fritz Lang's Metropolis, the figures in film noir, and the speculative vision of Philip K. Dick's source novel, Blade Runner. As archetypal reflections, they mirror humanity's fractures, its suppressed rage, its susceptibility to control, and its longing to transcend programmed existence. In exploring Scott and Dick's cityscapes, the work brings into question the psychological costs of civilization, echoing Antonin Artaud's warning that with modern development comes the risk of rendering humanity "feelingless."