The reuse and recycling of materials that were made in China has a short
history in the daily activities of private households worldwide, but a
long history in art, craft, and design. Focusing on the practices of
artists, craftspeople, and designers, and their re-evaluation of
unwanted, pre-used, and discarded materials, this volume presents new
research on material culture from China, one of the world's leading
waste-receiving and waste-producing countries, in a global context.
Through the lens of an ecocritical history of art, craft, and design, it
studies creative engagements with matter related to aspects of
(dis)connectivity, considering how the meanings and values attributed to
objects and raw materials can change radically as they travel across
historical and cultural divides.