Modalities of memory and surveillance intertwine in the work of an acclaimed Maine painter A tennis ball, warped by the speed of impact, is captured right before it lands on the painted boundary of the court, its oblong shape conveyed through negative space--a window into the black ground with which Maine-based American artist Reggie Burrows Hodges (born 1965) treats his canvases. This is movement as observed by a hawkeye,...