Redshift: Extreme Visions of Speculative Fiction

Book Overview

Hand-picked by Bram Stoker Award-winning editor Sarrantonio, Redshift features 30 stories of hard and soft science fiction, fantasy, horror, and experimental and conventional literary fiction. This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0451458591
• ISBN13: 9780451458599
• Release Date: December 2001
• Publisher: Roc
• Length: 544 Pages
• Weight: 5.80 lbs.
• Dimensions: 1.7" x 6.4" x 9.3"

Customer Reviews

Excellent Collection of Sci-Fi

Great stuff, a little on the fantasy side at times. The title of the book "Redshift" apparently refers to the measure of planets and the solar systems moving apart from each other, and though I didn't see anything in the collection on that particular subject really, it's a great collection.

An eclectic and entertaining collection

"Redshift: Extreme Visions of Speculative Fiction," edited by Al Sarrantonio, brings together 30 pieces of fiction of varying lengths; in his intro the editor breaks the pieces down as 22 short stories, 3 novellas, and 5 novelettes. Mainly science fiction, the collection also encompasses fantasy, horror and satire.In his intro, Sarrantonio notes that he was inspired by Harlan Ellison's important 1967 anthology "Dangerous Visions." Many of the stories in this book deal with adult themes: rape, addiction, bondage, war, etc. There is some graphic sex and violence, but I did not find these elements to be gratuitous.Some of the most memorable pieces in the collection include Laura Whitton's "Froggies," about the difficulty of interspecies communication; Harry Turtledove's "Black Tulip," a stylish tale set during the Soviet-Afghan conflict; Robert E. Vardeman's "Feedback," a stunning tale about telepaths and illicit sexuality; Rudy Rucker & John Shirley's "Pockets," a story of higher dimensions which draws on the classic "Flatland"; and Joe Haldeman's "Road Kill," about "a serial murderer with an interesting specialty."Other authors represented in the anthology include Michael Moorcock, Ursula K. LeGuin, and Joyce Carol Oates. Overall, this is a solid collection. There are some vivid characters, intriguing sci-fi concepts, and memorable scenes.

Middle-of-the-road SF collection with some good stuff

Ignore the hype -- this isn't a taboo-busting anthology, nor is it the best SF anthology of the past 25 years. But it is solid collection of stories. It's pretty thick, and their are several stinkers and some mediocre stuff, but there are several excellent stories, as well, including all the longer stories.Let's highlight the excellent stories here. The three longest stories include two novellas and a long novelette. The weakest novella, surprisingly enough, is Gene Wolfe's "Viewpoint," which is a gripping enough story, about a man given $100,000 -- if he can keep it while the government and ordinary people track him with the help of the media. It's a thrilling read, but it fails due to overly strident politics and a certain lack of plausibility. The other novella is Elizabeth Hand's "Cleopatra Brimstone." This is beautifully written, line by line, but it is way too long (as Sarrantonio all but admits in his introduction). Still, it's a very pleasing read, about a woman, studying insects in college, who goes to London to recuperate from a rape, and finds that she has developed a curious sort of alter ego with a strange power. The story is absorbing throughout, but the thematic payout and the telegraphed twist ending don't really reward 20,000-plus words. Dan Simmons' long opening novelette, "On K2 With Kanakaredes," is a satisfying story of mountain climbing with an inscrutable alien guest. Simmons both tells a gripping mountain adventure, and tells an interesting SF story about contact with aliens.Perhaps the strangest story in the book is the closing story, Neal Barrett, Jr.'s "Rhido Wars." It's difficult to precisely describe -- I'm not sure I understand it anyway. It seems to be the story of a group of humans under the control of some baboons, and a war between the main character's "tribe" and another "tribe," featuring "rhidos." The main focus is on the main character, a young man in charge of his four younger siblings. His love for his brothers and especially his sister, and his fatalistic acceptance of their position, are very well portrayed, in a bleak and moving tale.I was also taken with a couple of more satirical pieces. James Patrick Kelly's brief "Unique Visitors" takes a look at a person awakened sometime in the future, and his slow realization of his condition. Paul Di Filippo is at his most all out viciously satirical in "Weeping Walls," about a near future businesswoman who markets the title products to help people deal with their grief fashionably. Also fine are "The Building," another of Ursula K. Le Guin's excellent essays in "anthropological" SF, with a subtle moral point; and Thomas M. Disch's "In Xanadu," an extended riff on death and cyberspace, built on references to Coleridge's poem. Another interesting take on death and the afterlife is P.D. Cacek's "Belief," which familiarly enough shows a soldier sent to the after-life to continue fighting -- but who he is fighting is a well-sprung surprise. And, finally, Stephen Bax

All new stories of speculative fiction

Redshift isn't just another gathering of much-printed favorites, but presents all new stories of speculative fiction by such notables as LeGuin, Niven, Turtledove, Baxter and more. The all-star line-up of fantasy and science fiction writers paired with all-new stories assures that any fan of the genre will have fine reading here.

Solid collection of speculative fiction

This is a good, solid collection of speculative fiction. It's not the ground-breaking force that Sarrantonio predicts it will be in his introduction, but it's a nice collection nonetheless.Sarrantonio compares _Redshift_ to Ellison's 'Dangerous Visions' series, saying that many of the stories in _Redshift_ are too 'dangerous' or controversial to be published in traditional sources. In my opinion, the only controversial story in the anthology is Sarrantonio's own 'Billy the Fetus', which I assume wouldn't be published in traditional outlets because it's too disgusting. The remainder of the stories are far more mainstream.My favorite stories in this anthology are 'In the Un-Black' by Stephen Baxter and 'Cleopatra Brimstone' by Elizabeth Hand. Hand's story is a novella about a student studying entomology who discovers she has supernatural powers while integrating the London goth scene. The student, who was a victim of a rape earlier in the story, takes her revenge on men by somehow turning them into butterflies. It's a haunting story that stays in mind long after it's over.Baxter's contribution to the volume is set in his familiar Xeelee universe. This story concerns a race of drones who work the entirety of their short lives in slavery to a master race in the hopes that they can win passage out of their imprisonment. The story centers around two drones who flaunt their master's rules and fall in love. Less hard science than most of Baxter's pieces, which is why I enjoyed it so much.Other good stories come from Dan Simmons, Harry Turtledove, P.D. Cacek, Kit Reed, Nina Kiriki Hoffman, David Morrell, and Rudy Rucker & John Shirley. There were only two stories in the collection that didn't work for me, those by Gene Wolfe and Neal Barrett, Jr. (particularly disappointing since both authors are among my personal favorites). On the whole this was an enjoyable anthology. Nearly 550 pages of fiction from the biggest names in SF. This is a SF-lovers dream come true. It's a fat collection with good stories from favorite authors. Recommended.