Rap Attack 3: From African Jive to Global Hip-Hop

by David Toop

In 1998, the Spice Girls were barred from the No. 1 spot by Run DMC. Rap is back. Rap is a form of music and spoken rhyme which first came to prominence in 1979 through The Sugarhill Gang's chart hit... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 1852426276
• ISBN13: 9781852426279
• Release Date: June 1999
• Publisher: Serpent's Tail
• Length: 229 Pages
• Weight: 1.10 lbs.
• Dimensions: 0.7" x 7.3" x 8.3"

Customer Reviews

All time great book

First published 1984, then with a few extra chapters. This was on publication essential reading and remains so. It combines a good account of hip Hop's formation and antecedents with a look at the contemporary scene..labels, artists and crews. It is particularly good for tracing themes within the culture and cross referencing them to earlier music. Well written, suitable for all ages with classic photos, every Hip Hop fan should own this.

A book without equals

This is a serious, thorough, warmly written book about a musical genre that until very recently was given short shrift by most music critics. Toop dived head-first into the subject and immersed himself in the history, culture and mythology of hip-hop. His enthusiasm is infectious. One of the best books about music I've read.

A classic '84 text with an excellent new introduction

"All music has a history, shameful or illustrious, but for a 14-year old chilling out in Playland, white nylon anorak with the hood pulled tight and maybe a pair of Nike kicks with the tongues pulled out, what matters in the mini-phones plugged into the Walkman (or one of its cheaper variants) is the post-NASA - Silicon Valley - Atari - TV Break Out - Taito - Sony - Roland - Linn - Oberheim - Lucas - Speilberg groove." That's David Toop on the "electro" music of the early '80s--just one of many subjects handled with real sensitivity and street smarts in _Rap Attack_, a classic text now in its third edition. A musician as well as a writer, Toop conveys the magnitude of hip hop's revolution in sound--combining the musique concrete of Edgar Varese with the urban frenzy of a Bronx social club at 2:00 a. m.--but also its verbal genius, a lineage extending from the griots of Northern Nigeria to "doin' the dozens" to Kool Keith. With a dry wit and the erudition of a walking pop-music encyclopedia, Toop tells the tale of the amazing homegrown phenomenon that by 1998 "had overtaken country music to become America's biggest-selling format."