

In his third and final Western, Fritz Lang unsaddles the genre to create a tempestuous cult favorite. Critics have likened the film and its theme of a man twisted by vengeance to a Lang film of a wholly different genre: film noir's The Big Heat.

In his third and final Western, Fritz Lang unsaddles the genre to create a tempestuous cult favorite. Critics have likened the film and its theme of a man twisted by vengeance to a Lang film of a wholly different genre: film noir's The Big Heat.