Ralph Eugene Meatyard: Dolls and Masks

By Ralph Eugene Meatyard and Guy Davenport

Family man, optician, avid reader and photographer Ralph Eugene Meatyard created and explored a fantasy world of dolls and masks, in which his family and friends played the central roles on an ever-changing stage. His monograph, The Family Album of Lucybelle Crater , published posthumously in 1974, recorded his wife and family posed in various disquieting settings, wearing masks and holding dolls and evoking a penetrating emotional and psychological landscape. The book won his work critical acclaim and has been hugely influential in the intervening decades. Dolls and Masks opens the doors on the decade of rich experimentation that immediately preceded the production of his final opus, The Family Album of Lucybelle Crater . Published to coincide with an exhibition at the Art Institute of Chicago, this handsome book presents more than 70 never-before-seen works from the Meatyard Archive, greatly expanding our understanding of Meatyard's elusive and captivating genius. Writer and historian Eugenia Parry and curator Elizabeth Siegel contribute essays that set the stage for this foray into the unknown work of one of the last century's most intriguing photographers. Ralph Eugene Meatyard (1925-1972) attended Williams College as part of the Navy's V12 program in World War II. Following the war, he married, became a licensed optician and moved to Lexington, Kentucky. When the first of his three children was born, Meatyard bought a camera to make pictures of the baby. Photography quickly became a consuming interest. He joined the Lexington Camera Club, where he met Van Deren Coke, under whose encouragement he soon developed into a powerfully original photographer. Meatyard's work is housed at the Museum of Modern Art, George Eastman House in Rochester, New York, Smithsonian Institution and many other important collections.

• Format: Hardcover
• Language: English
• ISBN: 1934435333
• ISBN13: 9781934435335
• Release Date: August 2011
• Publisher: Radius Books
• Length: 129 Pages
• Weight: 0.35 lbs.
• Dimensions: 0.7" x 9.3" x 10.3"

Customer Reviews

why do these photos terrify me?

Children wearing masks. Kids waving flags in rotting rooms. Boys wrestling. Fields of tall grass. Falling-down houses. Meatyard's images are haunting, compelling, telling complicated stories of youth and aging, loneliness and progress, of young boys yearning to be old as captured by an older man who knows better. for my money, meatyard's one of america's very greatest photographers.

Ralph Eugene Meatyard is an American original, a true poet

Ralph Meatyard is surely not one of the great names of photographic history, but he does deserve a place as far as originality is concerned. He is truly an American original, a poet, a visionary artist of the highest caliber. Using family and friends, Meatyard created a gothic world worthy of Poe and Faulkner. A modest man, rasing a family and working as an optometrist, Meatyard managed to create a world straddling dream and reality. He wasn't afraid to experiment and, using a minimum amount of equipment, but a maximum amount of creativity and experimentation, he snapped a record of both beauty and weirdness. It's surprising that he lived on the border of North and South, in that his work seems so southern in feeling. One has only to create a book of photos by Meatyard, coupled with the poetry of the Arkansas poet Frank Stanford, to create a true work of gothic beauty. All one can say is that he's a true original who deserves to be appreciated. James Hoffman