Psychoanalysis and . . . brings together essays by critics whose work demonstrates the lively interpenetration of psychoanalysis and other disciplines. Andrew Ross investigates psychoanalysis and Marxist thought; Joel Fineman reads the "sound of O" in Othello ; Jane Gallop asks "Why does Freud giggle when the women leave the room?"; and Ellie Ragland-Sullivan examines Lacan's seminars on James Joyce. This stimulating collection of new work will be required reading, especially for students of literature.
This is a very good general introduction to the ways in which Freud studies 'hook up with' many other areas, like literature, women's studies, film, etc. It shows us how wide Freud's influence has been, in so many fields. The essays by Feldstein, Flieger, and Gallop are particularly helpful. Maya Reeves, New Jersey
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