Excerpt from Prue and I, And, Lotus Eating World way made them the, happy hunting-grounds Of the satirical and cynical. Mr. Curtis was too wholesome and kindly for cynicism, but he had a quick eye for pretension and sham, and a happy gift for social satire, as The Potiphar Papers, published a year later, showed. The habit Of writing was already established, and a record Of these short journeys took the form Of a series Of letters to the New York Tribune, and, later, of lotus-eating; with little illustrative notes by Kensett, one of the most popular painters of the day, which contributed to the charm Of a volume Of scenic and social observation, necessarily ephemeral in form, but which has the qualities of Mr. Curtis's nature: his kindly temper, his humorous mood, his easy and opulent style. The comparison Of the Hudson and the Rhine in the Opening ch'apter assumes a general unfamiliarity with the two rivers which ceased long ago, and is written with a certain simplicity and youthful pleasure which the more Sophisticated temper Of to-day is likely to regard as signs Of an immaturity happily outgrown. There is, however, no pleasanter report of the comfortable, easy, and Optimistic social life Of the middle Of the last century than lotus-eating; nor is there a more refreshing contrast with the subtle, elaborate, highly sophistic ated studies Of places and people which have taken the place Of these simple, Old-fashioned impressions of a quieter, less troubled age than ours. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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