Problems of Dostoevsky's Poetics: Volume 8

by Mikhail Bakhtin

Book Overview

This book is not only a major twentieth-century contribution to Dostoevsky's studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0816612285
• ISBN13: 9780816612284
• Release Date: June 1984
• Publisher: University of Minnesota Press
• Length: 384 Pages
• Weight: 1.15 lbs.
• Dimensions: 0.9" x 6.1" x 9.1"

Customer Reviews

A defense of the open text

Bakhtin's "Problems of Dostoevsky's Poetics" remains an essential critical writing to understand the complex and eclectic critical imagery of Bakhtin. The plurality of consciousness within a novel (polyphony) together with the idea of simultaneity in the relationships among characters confine to this work an extremely contemporary view of what literary creation is like or must be conceived of. Bakhtin's defense of the independency of the hero from the author stands not only as a strong critique to those critical trends which regard biographical information as the only source to fully capture the essence of a literary work, but also it enables a new kind of open criticism which embraces the role of the reader in the process of authoring a text, that is, providing the text with a meaning. Bakhtin's interest on physiology to capture the real insight of human perception and, hence, of human understanding of a literary work is, in my opinion, a great advance for the reader to become an undisputed element in the literary chain formed by the author, the text and the reader. Bakhtin's work has rapidly become a cornerstone in the current flow of literary criticism and his "Problems of Dostoevsky's Poetics" stands as one of his finest achievements.

Intense Revelations

Bakhtin's critique of Dostoevsky's work has revealed so much more to me about the form of this great author's novels than I would have ever been able to understand for myself. What makes Bakhtin such a masterful theorist is his methodical approach to understanding an author's work discussing the historical influence of form and the critical misinterpretations that have preceded the work. He is so attentive to levels of narration that he is able to identify voices in relation to the author and the other characters. This helps to clarify the structure of the narrative and the many ways we can interpret it. Many people have marvelled at the brilliance of Doestoevsky's work but haven't been able to put their finger on why it is so great. Bahktin not only names the reason, but also gives an incredible amount of thorough evidence as to why this is so in a comprehensible way. The technical theory is easy to understand as he is very careful to define his terms and the reasons he uses them. His survey of the development of literary forms, particularly the carnavelesque is informed and inspiring, but be careful as it is slightly idealistic and, though perfectly relevant, you feel that he is assimilating it a little too easy to his critique of Doestoevsky. The narrative techniques he identifies are not only useful in understanding Doestoevskys work but are incredibly useful in thinking about current authors. This is a very important piece of critical work I have come back to again and again.

absolutely great

Bakhtin's seminal work owes a lot to thinkers like Nietzsche, buy by gum, does he stand on his own. The most brilliant exposition I've read on Dostoevsky (with Rozanov in second place) and perhaps the most perceptive and insightful comments on the literary process and theory this century.

but what does that have to do with david bowie?

Dude, I mean, like, Dostoevsky's poetics have, like, lossa problems man. I mean, like, what's the deal with that Marmaledov dude? Is he related to Ziggy or something? I don't get it man. It's all voodoo to me. But it's a good read, I mean, making love with his ego is such an, ahhhh, maybe I should keep this to myself. But I really dig that stuff about the landlady and the axe, that was inspirational, metatarsal, trippy dude. Whatever.

A master novelist's work explored by master critic

This book is the ideal introduction to the thought of Mikhail Bakhtin. Bakhtin is becoming established as one of the giants of 20th century literary criticsm, despite his work being unknown in the West until the 1970's. This book is less about Dostoyevsky per se, rather a profound meditation on how Dostoyevsky's art exemplifies the central concern of Bakhtin, the concept of 'dialogism'. This idea defies a simple definition; the book in exploring manifold aspects of it, itself becomes truly dialogic. If you value Dostoyevsky as an artist, require an antidote to the chill winds of modern 'Theory', or simply appreciate genius at work, catch up with one of the best kept secrets in literature