
None of the Indian theatre-makers consciously built their works on the Euro-American model of the postdramatic, but many have used the theatre model in innovative, transnational ways. Essentially, they have adapted an originally European theatre paradigm to a different historical...

This book revisits Hans-Thies Lehmann's theory of the postdramatic and participates in the ongoing debate on the theatre paradigm by placing contemporary Indian performance within it. None of the Indian theatre-makers under study built their works directly on the Euro-American...