The present monograph is devoted to the study of the poetics of the ghazals of Mavlono Gado , one of the leading poets of 15th-century Turkish-Uzbek literature. Through an in-depth analysis of his artistic devices - notably semantic and rhetorical figures of speech such as metaphor, hyperbole, tajnis, antithesis, repetition, talmeh and other stylistic forms typical of the Eastern classical tradition - the book highlights the poetic richness and spiritual depth of his work.The study also examines the originality of Gado 's style, the compositional structure of his ghazals, and the harmonious union between form and content. Particular attention is paid to the way in which the poet expresses universal human values, mystical love and the existential quest through a refined lyrical language.This research contributes to our understanding of Gado 's role in the evolution of the Turkish-Uzbek ghazal, and highlights his significant contribution to the development of the oriental lyrical tradition.
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