Over the years, Lee Bassett's sequences--in chapbooks like Hatsutaiken and News From the Past Mistakes Hermitage, and in full-length books like Lucy and the Blue Quail and The Lonesome Beauty of the Moment--have declared a unique voice, neither confessional nor detatched, a voice in which questions of home become questions of being, emotion, and right action. Bassett's poems work as messages and meditations from the perspective of a traveler, one restlessly unsettled, consistently aware of the traveler's twin perspective: confronting the past with patience, complexity, regret, confusion, and celebration; looking forward with hesitancy, interest, hopefulness, and concern. These poems proceed by image and rightness of sound; they construct not so much narratives as world-views.
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