Originally titled Racket Girls, this delightfully cheesy melodrama produced by exploitation-film pioneer George Weiss (whose other "hits" included Glen or Glenda, Test Tube Babies, and Dance Hall Racket) exists primarily to showcase the spectacularly endowed Peaches Page, whose bountiful breasts seem to take on a life of their own as she jogs, jumps rope, and works out on a rowing machine. She plies her real-life trade in hilariously staged wrestling matches, which account for a sizable chunk of the film's running time. In the interest of verisimilitude, real-life champions Clara Mortensen and Rita Martinez join Peaches on screen, but that's where any attempt at realism ends. - Ed Hulse