Recent Researches in the Music of the Classical Era, vol. 78 Contemporary critics viewed Peter H?nsel (1770?1831) as a principal representative of the "true" quartet school of Haydn and Mozart. Having studied composition with Haydn during the 1790s, H?nsel maintained a relatively conservative compositional stance throughout his career, carrying Haydn?s late style well into the nineteenth century while still managing to develop his own voice. A composer of almost exclusively chamber music, his fifty-eight string quartets stand out as his most significant contributions. The opus 5 quartets in particular represent H?nsel?s debt to Haydn and his mastery of the quintessential Viennese Classical idiom. This edition presents the opus 5 quartets for the first time in a modern edition, providing an important resource for H?nsel scholars and modern performers looking for new Classical-period repertory.
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