Chapter 1: Introduction
The Seed
The Subject
Moving Through Ifs and Buts
The Danalakota Studio(s)
A. Cheriyal
B. Boduppal
'What Is It Exactly That You Have Come to Do Here?'
What Was I Supposed to Do?
Guruji and the Ahsram
Craft Through Conversations
Chapter 2: Craft: Doing, Telling, Writing - Part 1
Materials and Technologies
A. Cloth and Preparation of the Canvas
B. Treating the Cloth
C. Colour
D. Preparing the Colour
E. Mixing Colours
F. Colours Within the Narative
G. Brushes
Chapter 3: Craft: Doing, Telling, Writing - Part 2
Training the Body: How to Hold the Brush? How to Sit?
Painting, Writing, Story-telling
A. The Outlines: Story-tellers and Artists
B. Naqqal or the Under-drawing
C. Making The Image: The Skin, The Garment, The Crown
i. the red background
ii. characters in profile
iii. adornments
D. The image is Alive: Sairatta and Odupu
E. Finishing
i. borders
ii. signing off
Only a Version of It...
Chapter 4: 'Goddess' and 'King, ' 'Migration' and 'Boon': Artists and Their Histories
Origin(s)
A. Outlining a History from Above
Artisans As/And Historians
There Is A Funny Story Behind It...
Chapter 5: Craft-Through-Relatedness; Relatedness-Through-Craft
The Danalakota Household
A. Continuity With Kin
Practice Within the Danalakota Household: Making and Relating
A. Studio-Within-Home-Within-Studio
B. Women's Participation
C. Vanaja and Padma
i. Vanaja
ii. Padma
Pauti Tatvam
A. Pauti Tatbam as Intellectual Transformation
B. Pauti Tatvam as Political Transformation
Chapter 6. Showing, Making and Selling for the Market
'Discovery' of the Craft
'Traditional' and 'Professional'
...I Am Helpless
...The Time When I Experiment
Finding the 'Right Customer'
A. Ethnographer as 'Right Customer'
Conclusion
Chapter 7: Desire for the Nation-State
Discrete Crafts: Cheriyal Paintings and Nirmal Paintings
Discrete Craftspersons: Master Craftsman Award
Discrete Places: Geographical Indication of Goods Act
A. Geographical Indication: A Context
B. Benefits of Legal Protection
i. ...this is our right
C. Geographical Determination
i. It Doesn't Matter Where We Live
ii. We Are Afterall Artists From Telangana
D. Identifying Producers
i. ...mostly women
ii. ...you become a naqqash
Chapter 8: Conclusion