In this sublime book Iljas Baker gives us a glimpse-in poetic form-of his spiritual journey through Buddhism, the spiritual exercise of Subud, and Islam. Many of the poems use Chinese and Japanese poetical forms, especially Haiku, Haibun and Tanka, but express somewhat uniquely an Islamic rather than a Buddhist worldview. The presence of some examples of the world-famous calligrapher Haji Noor Deen's Chinese interpretations of Islamic calligraphy...