This 1984 book was the first to investigate the full implications of Paul Val ry's interest in the relationship between music and poetry. The book is more of a survey of all that Val ry had to say on music; it examines in detail the influence of such music upon his work as a poet. The structure of the book comprises three distinct phases of argument. In the first part Dr Stimpson details Val ry's contacts with the major developments in twentieth-century French music, and reveals particularly close relationshops with a number of outstanding composers and performers. Part II explores Val ry's theoretical consideration of the links between music and poetry. The third section studies the musical techniques in Val ry's poetry - melody, harmonics, rhythm, musique verbale, and recitative. This will be an important book for serious students of Val ry's poetry and all those interested in the relationship between poetry and music.
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