Mr. Elliot Cabot has made a very interesting contribution to a class of books of which our literature, more than any other, offers admirable examples: he has given us a biography intelligently and carefully composed. These two volumes are a model of responsible editing-I use that term because they consist largely of letters and extracts from letters: nothing could resemble less the manner in which the mere bookmaker strings together his frequently questionable pearls and shovels the heap into the presence of the public. Mr. Cabot has selected, compared, discriminated, steered an even course between meagreness and redundancy, and managed to be constantly and happily illustrative.
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