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Hardcover Painting the Digital River: How an Artist Learned to Love the Computer Book

ISBN: 0131739026

ISBN13: 9780131739024

Painting the Digital River: How an Artist Learned to Love the Computer

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Format: Hardcover

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Book Overview

Written by a renowned painter and digital artist, this is a fascinating exploration of the issues of visual art in a digital world. This description may be from another edition of this product.

Customer Reviews

3 ratings

Why artists should care about computers

This book is not just about painting, although painting is probably the most visible and best example of the world James Faure Walker explores: a world where all too often traditional artists, confronted by new technologies, either embrace the new completely or shun it totally. Faure Walker admits he fell in love with computers, but he understands the criticism from the more reactionary camp and this book goes a long way to creating a much-needed dialogue between the two opinions. I will not repeat what other reviewers have said (Meryl Evans' review on this page is a particularly good summary), but I will try to add a personal opinion. This is not about a journey "From Traditional to Digital Painting". This book is about finding a place between the two where the artist can be happy, and hopefully this book will also help carve them out a niche in which they can be accepted for doing what they love. It is also a call to artists everywhere to push the boundaries, to stop creating second-rate digital art and finally do something extraordinary with it. As a student of animation I've read a great deal about computer graphics and their relation to art, but this book is the best I've found. Faure Walker comprehensively grapples with the question of why digital or analogue matters artistically, and his conclusions are important to both artists and digital developers. If you have ever tried to wrap your head around any kind of digital art, if you care about where painting is going, you owe it to yourself to read this book.

An artists' journey from traditional to digital painting

James Faure Walker's PAINTING THE DIGITAL RIVER is also a top pick for art libraries, coming from an artist's viewpoint and exploring James walker's personal journey from traditional to digital painting. Walker learned to paint with the computer only after overcoming software problems and misunderstandings: he's now both an artist and a computer enthusiast and here provides both a memoir of his transition to the digital realm and back and a survey of tools, models, and designs. His outstanding coverage will appeal to both artists and computer users who would blend art with digital processing.

A look at digital art as compared to traditional art

Painting the Digital River takes a view of art by comparing digital art and classic art. Author James Faure Walker makes many points as he gives value to both art forms, discarding neither as less legitimate than the other. Himself an artist, Walker knows that many artists are confused as to what it means to be an artist and expert at what they do. He says that artists must know about painting, its past and its present, and possess some knowledge of the digital form. Walker discusses the classical way of learning to draw and paint, and then looks at the tools available for artists today. Just as canvas, brush and pigment all come in many qualities; the digital world offers a variety of hardware and software to enhance the finished product of the artist's vision. He describes a variety of activities illustrating different forms of digital art and tries to answer many of the questions faced by artists of today, lovers of art, and the museums and galleries that display the new art forms. The author covers some of the work - both classical and modern that he has viewed - finding some of it a waste of time and others breathtaking. Where the author finally reconciles the different forms of art is in the mind of the painter, the inspiration, the idea from which his work flows. Whether with brush on canvas or printmaking using computer graphics, the painter's talent most affects the quality of the art. Still, he adds, "that for all its faults, digital art has a life of its own." This book starts and ends with the metaphor of the river (Walker works overlooking the Thames); the river changes, it flows this way and that. Painting, like the river, follows a winding course and has quirky ways. This book is timely as many people are confused by all of the digital art and are trying to put it in perspective - is it art? Is it the only art (from now on)? The author tries to sort out and help understand what painting is and that there is good and bad art in the new digital world just as there always has been with ink and paint. He does a good job reviewing art history and providing technical insight. Painters, art historians, those who appreciate what they see, as well as those interested in the technology that produces digital paintings should find the book worth exploring.
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