Our Mutual Friend

By Charles Dickens

Book Overview

A satiric masterpiece about the allure and peril of money, Our Mutual Friend revolves around the inheritance of a dust-heap where the rich throw their trash. When the body of John Harmon, the dust-heap's expected heir, is found in the Thames, fortunes change hands surprisingly, raising to new heights "Noddy" Boffin, a low-born but kindly clerk who becomes "the Golden Dustman." Charles Dickens's last complete novel, Our Mutual Friend encompasses the great themes of his earlier works: the pretensions of the nouveaux riches, the ingenuousness of the aspiring poor, and the unfailing power of wealth to corrupt all who crave it. With its flavorful cast of characters and numerous subplots, Our Mutual Friend is one of Dickens's most complex--and satisfying--novels.

• Format: Paperback
• Language: English
• ISBN: 0375761144
• ISBN13: 9780375761140
• Release Date: September 2002
• Publisher: Modern Library
• Length: 880 Pages
• Weight: 1.42 lbs.
• Dimensions: 1.9" x 5.2" x 7.9"

Customer Reviews

Our Mutual Friend

The novel is easily readable. It reveals a great deal about English society in the mid-19th Century in and around London. The novel, by Charles Dickens, reveals a society in early industrialized Briain strugling to meet its Christian and economic responsabilities to the poor, as well as to the 'class assumptions' of a traditionally, and rigidly class-based society. It deals with the challenges of moral and good people, as well as the 'not so' good and 'not so' moral people, at every station of society, attempting to deal with issues bigotry, poverty, agedness, classism, greed, and sexism. It has many 'Dickenson-type' off-beat characters that challenge one's patience and touch the heart. It is a great read for anyone. It has great potential for skilled English teachers at the upper high school levels and incoming freshmen in College, and certainly Graduate school, with the proper critical models for discussion. It is a long novel, but well worth the money for purchase and the time involved in reading it.

Jane Smiley Had it Right

I hadn't read Dickens in quite a while. Ten years had passed since I closed the cover of Bleak House and put it back on my bookshelf. But then I happened upon a recent biography of Dickens written by Jane Smiley (of all people). Being a huge fan of both author and subject, I picked it up. I won't review Ms. Smiley's book here (it's excellent, read it), but I was surprised to hear her heap such praise and adoration on this book. I'd heard of it and I knew it was one of Dickens' last works. But that was about all I knew, having limited my exposure to his "better known" works. Did "Our Mutual Friend" belong in the hallowed ranks of Dickens' best? I figured, a Pulitzer Prize winning author must know what she's talking about, right?Well, she does. "Our Mutual Friend" is like a great meal at a fine restaurant. Chew slowly. Savor each bite. The beauty of this book is in its extraodinary and wonderful style of writing, delightful similes, vivid and uncanny character development (Dickens is the master, but he outdoes even himself in this work) and that odd sense you get when you close a masterpiece that you just had a once in a lifetime experience. The man can write!Make no mistake, this is a tougher read than the earlier, more "Dickens-y" novels. But the characters are more rich, complex and interesting than in any other of his work. If you don't feel a sincere sense of mourning for Mr. Boffin's decline into miserism, and joy for...(well, I won't spoil the plot for you), then I can't help you. The caustically satiric language may be a shock to those used to the milder styles of Copperfield and Pickwick, but it is brilliant and I believe it is his best work. The grim story line is far from the lilting plot of a Nickleby, but it is gripping. I don't think I could name my "favorite" Dickens book. "Bleak House" and "Great Expectations" are up there. But "Our Mutual Friend" would certainly be a prime candidate.

The best of books, the darkest of books

.... ...of all the mighty works that his pen produced, hard pressed as I am to choose, I would say - if forced - that "Our Mutual Friend" is my favourite. Not by much, admittedly ("Bleak House", "Little Dorrit" and "Dombey and Son" will keep knocking at that door), but they haven't managed to barge into the pride of place reserved for "Our Mutual Friend" - the seat closest to the fire, as it were - just yet. The reason "Our Mutual Friend" is my favourite Dickens? Well. It is just so dark. (You may say that "The Mystery of Edwin Drood" is a darker work, and you may be right, but that is not a novel - that is a murder glimpsed through the window of a passing train - you don't know if it is serious or jest, and you will never ever find out.) This book - "Our Mutual Friend" - is a veritable nest of vipers. Not only that. The vipers are black. The vipers are made of night. Which isn't unusual. Dickens (like Milton) knew how to paint a good villain. Just that - whereas elsewhere, there is one singular villain (Bill Sykes, or Quilp say) - here there are many villains, each as dark as the other, each as particular and distinct a kind of nightmare as can be imagined. You have the corruption of the conniving Lammles, the crusty, flaky, stinginess of Silas Wegg, and the waterlogged, badmouthing of underhanded Rogue Riderhood. You have the insane obsessive love of Bradley Headstone. The two-faced usurer Fascination Fledgeby. You have - peculiarly this, but true all the same - the blackness of the river. The river is a villain in "Our Mutual Friend". The river is an enemy to truth. It swallows up stories as equally as it swallows up the bodies of the drowned. Like "Heart of Darkness", the river and its denizens (the houses that line the dirty shoreline, the population of those houses) poison everything, and the poison seeps out of the lowest house and into the highest. The river is responsible - at least in part - for the story about which everything else revolves: the Harmon murder.Alongside the darkness (and elaborated within the pages of Peter Ackroyd's excellent biography "Dickens"), you have a definitely out-of-the-ordinary oddness to proceedings. This is an odd book. Dickens always provided comic relief. With a book this dark, you would think the comic relief to be all the more comic, but this is not the case. What once was comic is now slightly deranged. The relationship between Bella Wilfer and her father is like something out of a David Lynch movie. The character of Mr Venus, too. Is he a taxidermist? What is that fascination with bottled dead things? And bones? You have the young miss, the friend of Bella Wilfer, Jenny Wren, deformed maker of doll dresses. She is comic but, somehow, laughing at a child so weary from her corrupt bones as to look like an old old woman is wrong.As such, the whole is a puzzle. Second time through, it isn't any easier. But that - essentially, dissatisfaction, or ambiguity - makes for a tremendously satisfying reading.