In this anthology, Aboriginal and other contributors address current and provocative issues arising from the production, collection, and exhibition of Aboriginal historical and contemporary art. In recognizing the established intellectual and institutional authority of Aboriginal artists, curators, and academics working in cultural institutions and universities, this volume serves as an important primer on key questions that accompany the changing representational practices of the community cultural center, the public art gallery, and the anthropological museum. Lynda Jessup teaches museum representation and the history of Canadian visual culture at Queen's University in Kingston.
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