This book examines Elfriede Jelinek's investigation of Austria's and Western Europe's obscene fantasies through her perversion of generic forms in three of her best-known texts (Die Liebhaberinnen, Lust, and Die Klavierspielerin). Each chapter investigates a central psychoanalytic concept (alienation, jouissance, perversion, and sublimation) and reads a Jelinek text in relation to the genre that it is perverting, exposing the obscene...