Not Even Then

By Brian Blanchfield

Not Even Then, the debut collection by Brian Blanchfield, introduces a poetry both compressed and musically fluid, beseechingly intimate and oddly authoritative. Blanchfield conducts readers through a unique, theatrical realm where concepts and personages are enlivened into action: Continuity, Coincidence, Symmetry, and Shame keep uneasy company there with Marcel Duchamp and Johnny Weissmuller, Lord Alfred Douglas and "Blue Boy" Master Lambton, Juliet's Nurse and Althusser's Moses.

With its kinked and suspensive language, Not Even Then draws on the lyric tradition, even as it complicates that tradition's dualism of self and other. Likeness is always under investigation in the book's irreducible arrangements of alterity. From "Red Habits" "I imagine the interferences explained / in don't-think-twice and reverse advice / and by habits for both head and breast / hers and hers as red as mine at chamber check. / We are each herself a further interference." No answer rests unquestioned in its turn; even the book title's cynicism is challenged by a poetics alive to possibility, where Possibility is--impetuously, ecstatically--companionable. "The listener you are," writes Blanchfield, "the less alone."

• Format: Paperback
• Language: English
• ISBN: 0520240391
• ISBN13: 9780520240391
• Release Date: April 2004
• Publisher: Perseus - Ucal Pod
• Length: 92 Pages
• Weight: 0.05 lbs.
• Dimensions: 0.3" x 5.3" x 8.2"

Customer Reviews

A verbal virtuoso

Blanchfield is the e.e. cummings of the next half-century. The difference is that he plays with the juxtaposition of jewels of words, the effect being much more sly (but also much less warm, initially) -- than a lower-case letter or missing comma. His work is the antithesis of skilllessness.

ny gentle man

with attractive, off-kilter turnings of phrases, blanchfield weaves a narrative of some cryptic delights and ingenuity (with snatches of tenderness). this collection could be more subtle, but its richness in language begs closer reading.