Never Come Morning

by Nelson Algren

Book Overview

Never Come Morning is unique among the novels of Algren. The author's only romance, the novel concerns Brun Bicek, a would-be pub from Chicago's Northwest side, and Steffi, the woman who shares his dream while living his nightmare. "It is an unusual and brilliant book," said The New York Times. "A bold scribbling upon the wall for comfortable Americans to ponder and digest." This new edition features an introduction by Kurt Vonnegut, Jr. and an interview...

• Format: Paperback
• Language: English
• ISBN: 094142300X
• ISBN13: 9780941423007
• Release Date: October 1987
• Publisher: Four Walls Eight Windows
• Length: 310 Pages
• Weight: 0.90 lbs.
• Dimensions: 1.0" x 5.1" x 8.2"

Customer Reviews

Frank and Brutal with a sense of Deja-Vu

Bruno 'Lefty' Bicek is a Polak on the Polak side of Division Street. He has day dreams of being admired; a hero in baseball or boxing. He daydreams of beating cheating opponents by playing clean; winning through skill alone. And he has his girl, Steffi R. But with corruption everywhere,the police able to pick up and put away on a whim, and the need to be 'regular' with the gang members sees Lefty end up as all Division Street hoods do. Life beat out of them,dreams staying daydreams. Lefty loses his soul when he does nothing to stop Steffi being gang raped by the guys.He needed to keep 'regular'. As ever, Algren never sanatises or justifies or explains. Its just written how it is, and 'Never Come Morning' is perhaps his most frank portrayal. It has few-if any-of the humour that creeps in his other novels. Having read 'The Man With The Golden Arm', 'Walk on the Wild Side' 'Neon Wilderness' and now 'Never Come Morning' I know two things. First, Algren is a remarkable and socially observent writter. Second, he basically just writes the same story over and over with slightly different takes; from slightly different angles. All the same things were present in 'Never Come..' as in the other Algrens I've read. The line up;Lefty's reasoning to the Captain as to why his gang had shaved heads came from a short story in 'Neon Wilderness' the heists are slight variations, the boxing accounts are the same etc etc. This doesn't make Algren anything other than what he is-a great (Thomas Wolfe just wrote 'Look Homeward Angel' over and over again with slight variations and nobody disputes his greatness) it just means that his scope is limited, and 'Neon Wilderness' would perhaps be all you ever need to read to get the whole Algren repartee. But for all that-and even though Algrens Chicago is long since dead-this is great reading

Gritty americana from a forgotten master

Never come morning is a exquisite novel of pain and dark urban reality. What makes Algren a better writer than so many others who work in this mileiu is that he doesn't moralize or create one-dimensional heroes. His characters pull you in because they have the complexity and tragic failings of real people. The imagery walks the line between the surreal and the actual, dreams interwoven with the brutal waking reality of inner-city poverty. This book alone puts Algren, who never got much fame and certainly not fortune for his work, on the map of great American writers.

Catcher In The Rye for the rest of us

I noticed in another customer review of this book that two key pieces of plot information are provided in the review itself. That is something no reviewer should ever do. Don't let that blemish keep you from buying this remarkable book. Never Come Morning is one of the finest novels you will ever read. This is Catcher In The Rye for the rest of us, for everyone who grew up more worldy than Holden Caufield. Algren opens a window on Chicago's ethnic, inner city streets. The sights, sounds, smells, words and music of Chicago in the late 1940's are right there in front of you. He then points his highly accurate lens on his character's hearts, minds, concerns, fears, worries, struggles, hopes & dreams.Never Come Morning is a lyrical, poetic work of fiction that's nonetheless so realistic it could have been yanked straight from the headlines of any city's newspapers, in any era, from the 1940's straight through to 2004. The novel describes the lives of several teenagers living on Chicago's Near Northwest side, in the late 1940's. It is realistic yet never exploitive, heart-wrenching yet never heavy handed. Those familar with Chicago neighborhoods will delight in seeing The Triangle, Riverview, Humboldt Park, Division Street, Chicago Avenue, Western Avenue, Milwaukee Avenue, Oak Street Beach and Logan Square referenced in print. As El trains fly overhead - some down tracks still with us and some down tracks long-gone - you will be astounded at how well this writer has captured the Chicago of your youth. Those familar with Chicago characters like the ones in this novel (Bruno Bicek, Steffi Rostenkowski, Catfoot Nowagrodski, Fingers Idzikowski, Fireball Kodadek, Bibleback Watrobinski, Casey Benkowski, Momma Tomek and The Barber) will have to put the book down and take a walk outside. The memories that come flooding back will be too STRONG, and too REAL. Anyone who's lived in a neighborhood where kids run the nighttime streets, anyone who's ever hung out on a corner, tossed dice against a warehouse wall, walked a freight yard, played ball for a Park District League, been to Riverview, swam at Oak Street or dated a girl from the neighborhood will be shocked from the sheer force of recognition this amazing novel provides. Yet even those who've never set foot in Chicago will be spellbound by this remarkable, poetic novel about tough kids growing up under tough conditions in a tough town. A must read for anyone interested in American Realism, and/or fiction carved from real life.

A seriously under-rated author's most under-rated novel

Algren narrates the fall of Bruno Lefty Bicek, small-time hood and prize-fighter. Bicek comes alive under Algren's pen - not a hero, not a villain, but all too human, capable of love and of cowardice. Not as well-known as _The Man With the Golden Arm_ nor _A Walk On the Wild Side_, but, in my opinion, the equal of the first and superior to the second.

Nelson Algren, the voice of the dispossesed.

Any writer can create a sympathetic character and maintain the reader's sympathy throughout a work. A good writer can create an unsympathetic character that gains our sympathy in the course of a story. But a truly great writer creates a very real character that has our sympathy at first, who then completely loses it, only to regain it at the end. This is what Nelson Algren excels at - the characters in Never Come Morning may not be like the people you know, but they exist in the real world as much as they live in Algren's Chicago. They are not perfect, in fact they are all too human--greedy, lustful, and stupid--products of an environment that does not forgive human nature. It is a compelling story that seems more powerful, more modern, more realistic than anything written in the last 20 years. Algren's prose combines the power of a heavyweight's best right hand with the meticulous detail of a fine tailored suit. Once you've read Algren, you will never read anything the same way again.