Typical targets of Zoshchenko's satire are the Soviet bureaucracy, crowded conditions in communal apartments, marital infidelities and the rapid turnover in marriage partners, and "the petty-bourgeois mode of life, with its adulterous episodes, lying, and similar nonsense." His devices are farcical complications, satiric understatement, humorous anachronisms, and an ironic contrast between high-flown sentiments and the down-to-earth reality of mercenary...