Nancy Culpepper: Stories

by Bobbie Ann Mason

Book Overview

Kentucky native Nancy Culpepper boldly left home to attend school in Massachusetts, married a Yankee, and raised her son in the Northeast. "One day I was feeding chickens and listening to Hank... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: 0375507183
• ISBN13: 9780375507182
• Release Date: July 2006
• Publisher: Random House (NY)
• Length: 224 Pages
• Weight: 1.06 lbs.
• Dimensions: 0.9" x 6.5" x 9.5"

Customer Reviews

Love, Family, Acceptance, Perseverance

This weekend, I read and finished two beautiful books, both fiction: Nancy Culpepper, by Bobby Ann Mason, and Forgetfulness, by Ward Just, both published in 2006. Nancy Culpepper is a set of short stories about the protagonist, augmented by a novella about her parents, Spence + Lila (first published in the 80s --I loved when it first came out). Nancy is from Kentucky. Her parents, Spence and Lila, are hard-scrabble farmers who eventually do better with a small dairy farm. Until her grandmother dies --the first forty-one years of their married life-- Spence and Lila live with or close to her grandmother, never traveling. Nancy married an easterner, a photographer named Jack. They live in Cambridge MA and later somewhere rural in Pennsylvania. Later, when they separate, they move around. The book is about Nancy's dance: between her country roots and her love of her parents on the one side and her eastern education (Radcliffe, I think --I don't want to hunt it up right now), tastes and manners. The first three short stories, written in the 80s and early 90s, are wonderful. Spence + Lila is a gem --it narrates Lila's stay in the hospital for a mastectomy and an operation on one of her carotid arteries, but it's really about love, family, acceptance and spunk. It reminds you of feelings within your own family that you have but seldom or never articulate. It also reminds you that love doesn't have to be articulate to be felt. The final short stories --there are two or three-- are good but not as good as the first ones. But it doesn't make a difference. Mason's stories capture an engaging personality striving to make sense and gain pleasure from a life that has its share of stresses and disconnects but is ultimately self-affirming. Mason's view of life is intensely local and real, but ultimately benevolent. She writes about *connection. It's a lovely book. (I reviewed Mason's Feather Crowns for Library Journal when it came out and loved it. Her collection of short stories, Shiloh, is superb. Her novel, In Country, evoked the best performance Bruce Willis ever gave when it was translated --fairly faithfully-- into a movie.) David Keymer Modesto, CA