Prompted by his theories of heredity and environment, Zola set out out to show Nana, the golden fly, rising out of the underworld to feed on society-a predetermined product of her origins. Nana's latent destructiveness is mirrored in the Empire's, and they reflect each others' disintegration and final collapse in 1890.Built around the book's scientific skeleton is a powerful, sensual atmosphere and a rich use of words which elevate the novel beyond the realistic platform into a poem of male desires.
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