Muscial Verbalization in the Narrative Diction of Anthony Burgess

By Yehia Abd El Azeem

Scientific Essay from the year 2013 in the subject Didactics for the subject English - Literature, Works, grade: 74, University of Salford, course: Anthony Burgess and his Contemporaries, language: English, abstract: This essay demonstrates that instrumentation may be not suggestive. Be it an incidental music, or a formal text, the very nature of authorship may permit a Pyrrhic 'pun', by means of which its analogical 'devices' -in general- may work against their 'own' means of duality.As a preliminary approach to such self-destructive duality in specific, we are being proposed to 'devices' being repressed a midst two denominations namely;the transcendental realm of the octa-tonic scale and the narrative diction of Anthony Burgess. These devices include but not restricted to;'the evasive cadence', 'petro-musicology', 'elevator music', 'the chromatic scale' and 'the diatonic cycle'. It gratifies the schematic approach of Anthony Burgess towards his understanding of music, but exclusively traces the wayward musicality of misunderstanding.

• Format: Paperback
• Language: English
• ISBN: 3656742286
• ISBN13: 9783656742289
• Release Date: October 2014
• Publisher: Grin Verlag
• Length: 20 Pages
• Weight: 0.09 lbs.
• Dimensions: 0.1" x 5.8" x 8.3"