Este es un libro at pico. Sus textos abordan diferentes investigaciones que han aportado nuevo conocimiento musical y nuevas obras a partir de otras disciplinas m s relacionadas con la ciencia experimental. Tambi n se profundiza en el hecho de que estas mismas investigaciones han servido para aumentar el conocimiento cient fico gracias a la mezcla con la m sica. Esto se hace desde disciplinas poco comunes, como la gen tica, la bot nica o la f sica de part culas. Se tratan materias como las matem ticas, la percepci n cerebral o la inteligencia artificial, donde las compositoras y los compositores basan sus sistemas de creaci n en principios cient ficos. Todo esto se hace animando a la reflexi n y la profundizaci n, lo que le da al libro una peque a dimensi n filos fica y no solo se queda en una mera exposici n de hechos. This is an unconventional book. Its texts explore various research efforts that have contributed new musical knowledge and new works by drawing from disciplines more commonly associated with experimental science. It also delves into how these same studies have, in turn, enriched scientific understanding through their intersection with music. This is approached from rarely explored fields such as genetics, botany, and particle physics. Topics include mathematics, brain perception, and artificial intelligence, where composers base their creative systems on scientific principles. All of this is presented in a way that encourages reflection and deeper thinking, giving the book a subtle philosophical dimension beyond a simple presentation of facts.
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