Modigliani (The Taste of our time)

by Claude Roy

Amadeo Modigliani(1884-1920) has remained one of the most popular artists of modern times; his reputation has never been eclipsed by the great revolutionary figures who were his contemporaries. His... This description may be from another edition of this product.

• Format: Hardcover
• Language: English
• ISBN: B0007DF58C
• Release Date: January 1958
• Publisher: Skira
• Length: 133 Pages
• Weight: 1.15 lbs.

Customer Reviews

mannered elegance

This book brings together 40 prints of the artist's paintings in beautiful colour, as well as a lengthy text which precedes them, with photographs of Modigliani, and examples of his sculptures and caryatids. Werner presents M as a tragic figure since his health was poor - he suffered from tuberculosis all his life, and he died relatively young at 35, without receiving any substantial recognition of his work. Much is made of his excessive social life in Paris, though M was Italian, where he is said to have indulged in alcohol and hashish. He focused on painting after he was unable to continue with sculpture because of his lack of money, the difficulty in obtaining materials, and the affect of the stone dust on his weak lungs. Werner also tells us that M suffered from a psychoneurosis, and calls him a "solipsist who produced exclusively self-portraits, symbolic representations of his own tortured soul". However these arguments do not appear to relate to the nature of his painting. His work is calm, not tortured, and the idea that his infamous style of Expressionist distortion is meant to reveal a "paranoiac autism" seems silly. The photos we see of M show that he does not resemble his skittle-shaped, swan-necked, almond-eyed portraits. Even the notion that some of the subjects having closed eyes meaning an inner directed concentration based on a fear of the world, does not appreciate the stylistic choice he made to express his form of conception upon reality. He had trained as a draftsman and considered his work "illuminations", accentuating attributes to the point of caricature. The faces of his sculptures bear the same kind of visage. His work is both striking in his use of colour, where he favoured strong lines and prefered primary blacks and reds; and tender in the delicate way he treats the subjects, whether they be Parisian socialities, other artists, his two mistresses - Beatrice Hastings and Jeanne Hebuterne, or working class models like maids and peasants. What ultimately makes the work of Modigliani great is how one can return to the prints again and again, to revel in their mannered elegance, their sadness and beauty, and his unique balance between naturalism and abstraction.