Men carry a mattress retrieved from a dumpster past the flooded foundations of an unfinished high-rise, an old woman catches a pigeon in the folds of her dress the dead smile and rise from swimming pools or stand at attention on stamps. The landscape can't believe it's real--there is no ground beneath it, like what mirrors do. Adam Day is the recipient of fellowships from the Poetry Society of America and Kentucky Arts Council, and a PEN Emerging Writers Award. His work has appeared in Boston Review , the Kenyon Review , American Poetry Review , AGNI , the Iowa Review , and others.
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