When art historian Nora Barnes returns to France for a Van Gogh conference in the charming medieval village of Saint-Paul-de-Vence, she s expecting a vigorous debate about whether the famed artist s suicide was actually a homicide. But on the night before the conference, an elderly French woman who d promised to reveal important evidence is found face down in the village fountain, and her Chanel briefcase is nowhere to be seen. During a week of academic squabbling, dining, romance, and suspense, the quirky conference members, one by one, fall under police suspicion and the amused gaze of Nora s husband, Toby Sandler. But someone wants to stopNora and Toby s amateur sleuthing, and what happens next is no joke."
Unlike others, I'm initially struck not by this book's sexiness, but by its geography and demographic and how, like New York itself, this book manages to make the most distant places and disparate cultures feel local. More than poetic snapshots of (particularly Brooklyn) neighborhoods and areas (Crown Heights, Grand Army Plaza...) at the beginning of the 21st century, Georgiou's poems not only capture the multitudes, but speak from highly personal perspectives. Here is India, Ethiopia, Egypt, Cyprus, Turkey, Israel, Puerto Rico and the Caribbean . . . squished into the subway car of the poet's heart. The sensuality of this book seems, to me, more a product of urban dynamics than of marketable "sexiness" (in fact, the speaker(s) of the poems seems more lonely than anything): here is intimacy and anonymity, belonging and alienation, any one person in a million people walking the streets or riding the train home--and hoping to find love, or settling for sex, along the way. That said, yeah, this book may contain a few of the best "sex poems" in the English language. Here is the sex of prayer, and the prayer of sex. Sex with women. Sex with men. Sex and the president. Sex and fried chicken. It's regrettable that this Lamda Award-winning author's poems are being "reviewed" below by boys with internet access, rather than by the adults for which they were intended. Speaking to the latter, I also highly recommend the book of lesbian and gay poets she co-edited, "The World In Us." It is a stunning collection--much like Georgiou's own.
Mercy Mercy Me
Published by Thriftbooks.com User , 23 years ago
This is poetry to be read again and again. Her poetry is so honest, you'll feel naked reading it. I saw her at a poetry reading and I had to buy her book. Whenever I read her poetry I think of her deep British accent and I feel like I am back at that poetry reading. Her word selection is brilliant and so sincere. She holds nothing back and it is extremely refreshing to read her poems.
HAVE MERCY
Published by Thriftbooks.com User , 24 years ago
Oh my God! This is the sexiest poetry book I've ever read.Check out the poem Talkin' Trash. It's a lyrical fantasy I'm sure weall dream about. And after you read The Motown Angel supermarket shopping will never be the same to you.
Georgiou's Act of Mercy
Published by Thriftbooks.com User , 24 years ago
This collection rocks the Richter scale of poetry. Georgiou's imagery is dazzling, her language sensual, her emotions fierce. She moves freely between a contemporary urban narrative and more ethereal matters-a chance encounter with Marvin Gaye's ghost, for example, is not merely plausible, but one of the sexiest love stories I've ever read. This poet is a mistress of vitality. Her poems are tiny monuments to lust, love, and those quiet moments in between. I doubt anyone will find them inaccessible. If you buy one book of poetry all year, make it this one.
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