This research seeks to analyse the forms of experience and the reaction of some different groups of visitors to the exhibition of contemporary art from Germany at the Leopoldo Gotuzzo Art Museum - MALG. It investigates the development of pedagogical art actions to encourage reflection and observation of the works in dialogue with the exhibition proposal. In this way, this text focuses on analysing the results of my work as a mediator in actions in the MALG exhibition space. To this end, I present the workshops proposed, together with the mediation, and the experience built with the public and the Future Perfect exhibition. In this sense, the title Mem ria sobre o futuro also proposes a cut in the sense of time by creating my point of view in the writing of these experiences in tune with the title of the exhibition, an exercise also proposed to the visiting public.
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