Yes It was the one instance Marius, always eagerly on the look-out for such, had yet seen of a perfectly tolerable, perfectly beautiful, old age-an old age in which there seemed, to one who perhaps habitually over-valued the expression of youth, nothing to be regretted, nothing really lost, in what years had taken away. -from Marius the Epicurean With his thoughtful sensibility and appreciation of the artistic experience, Walter Pater exerted a dramatic influence over the Aesthetics of the mid to late 19th century: a movement of creative intellectuals, from writer Oscar Wilde to painter James McNeill Whistler, who held that art should be sensual and beauty the highest ideal. Pater's "cult of beauty" also profoundly affected 20th-century arts, literary, and cultural criticism. Here, in his only novel, a forerunner to the works of James Joyce first published in 1885, Pater takes us on one young man's personal journey from paganism to Christianity in ancient Rome, a didactic work in which Pater explores the role of religion in culture and in art and celebrates the aestheticism he championed in his criticism. Also available from Cosimo Classics: Pater's The Renaissance. British essayist and critic WALTER HORATIO PATER (1839-1894) was educated at Oxford University. He also wrote Imaginary Portraits (1887), Appreciations (1889), and the posthumously published Greek Studies (1895).
Why does no one read Pater these days? He writes with the fervid delicate beauty of a butterfly defying the storms of winter. As literature becomes ever more commercialised, this sensual celebration seems even more important. A pleasure every bit as sensual and refreshing as a Turkish bath.
Beautiful
Published by Thriftbooks.com User , 25 years ago
Pater was one of the most insightful and exacting critics of England, and his fiction exceeded even his own standards for beauty. Marius the Epicurean is the story of a young man's spiritual and aesthetic awakening in ancient Rome. He journeys from Stoicism to Cyrenaicism to Epicureanism, and finally to Christianity. The book is subtle and profound, and is written in Pater's characteristically lovely prose. I do not recommend this book to anyone who wants a traditional linear plot in which the protagonist is motivated by external events; rather, I recommend it to all who wish "to burn with a hard, gemlike flame," to all who make careful aesthetic contemplation their highest goal.
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