PROLOGO A LA EDICION DE ORGANO Prologue to the Organ Edition - scroll down for English La m?sica sacra es diferente a cualquier otro tipo de m?sica. Se basa en el significado de las palabras habladas y cantadas en la iglesia. Y s?, incluso una pieza de ?rgano sin letra tiene que mantenerse dentro del estilo de la m?sica de iglesia. La m?sica secular se basa en ritmos musicales, patrones de ritmos fuertes y d?biles que son las formas de danza que han evolucionado desde la ?poca medieval hasta las danzas de hoy. La m?sica que cantamos y tocamos en la iglesia no debe recordar a las formas de danza, sino que debe reflejar la naturaleza solemne de la liturgia de la iglesia. Solo existen unos pocos acompa?amientos impresos para algunos de estos himnos y la mayor?a no fueron escritos para la iglesia y el ?rgano sino para cantar en casa alrededor de un piano, lo cual tiene sentido ya que no se permit?a cantar himnos que no estaban en lat?n durante la Misa. M?s bien, estos himnos fueron escritos para ense?ar y reforzar la fe, lo que los convirti? en las herramientas para los maestros en el sal?n de clases, en los servicios de oraci?n de la Iglesia y para la formaci?n de la fe en el hogar. Para ir al grano, cuando una banda marcha durante una procesi?n fuera de la iglesia, se usan tambores y c?mbalos para que la gente cante al comp?s y juntos. En el momento en que la gente ingresa a la iglesia, el ?rgano toma el relevo tocando en un estilo simple y solemne acorde con las palabras que se cantan.Estos acompa?amientos se compusieron para adaptarse al estado de ?nimo de las palabras que se cantaban. Requieren una base firme, no el duro rasgueo y el golpeteo de la bater?a, sino armon?as que muevan la m?sica ****** Sacred music is different from any other kind of music. It is based on the meaning of the words spoken and sung in the church. And yes, even an organ piece without words has to stay within the style of church music. Secular music is based upon musical rhythms, patterns of strong and weak beats that are the dance forms that have evolved from medieval times into the dances of today. The music we sing and play in the church must not bring to mind dance forms but instead must reflect the solemn nature of the liturgy of the church. There are but a few printed accompaniments that exist for some of these hymns and most were not written for the church and the organ but for singing at home around a piano, which makes sense as hymns not in Latin were not permitted to be sung during Mass. Rather, these hymns were written to teach and reinforce the Faith, which made them tools of teachers in classrooms and prayer services of the Church and for Faith formation in the home. To get to the point, when a band marches during a procession outside of the church, they use drums and cymbals to keep the people singing on time and together. The moment the people enter the church, the organ takes over playing in a simple and solemn style befitting the words being sung. These accompaniments were composed to fit the mood of the words being sung. They require a firm foundation, not the hard strumming and pounding on drums, but have their own harmonies that move the music.
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