Magic for Beginners

by Kelly Link

Book Overview

From MacArthur "Genius Grant" fellow Kelly Link, bestselling author of White Cat, Black Dog and The Book of Love, an "eerie and engrossing" (The Washington Post), "dazzling" (The New York Times Book... This description may be from another edition of this product.

• Format: Paperback
• Language: English
• ISBN: 0156031876
• Release Date: September 2006
• Publisher: Harvest Books
• Length: 297 Pages
• Weight: 0.70 lbs.
• Dimensions: 8.0" x 0.7" x 5.3"

Customer Reviews

Absolutely Brilliant

Okay, so it's a silly cliche, but I'm going to use it anyway...Kelly Link is the absolute best writer that you've never heard of. Most people have no idea who she is, our bookstore doesn't even carry her books most of the time, but I think she's utterly brilliant, and she deserves to be better known. She deserves to win the Pulitzer as far as I'm concerned. The stories in this collection are amazing--warm, witty, profound, laugh-out-loud funny, imaginative, and heartbreaking. The best way to describe her style is that she writes in dream images using dream logic. What I mean is, you know that feeling when you wake up from a vivid dream and you can't recall its chronological narrative format and it doesn't make much logical sense, yet at the same time you can remember vivid images and profound emotions that stem from it? That's exactly what reading a Kelly Link story is like. It's hard to explain precisely what happens in a literal sense, but she's able to make you feel just what she wants you to feel, even when you can't put your finger on why that is. I'm in awe of her ability make her readers feel such depth of emotion through such cryptic and dreamlike imagery. Take "Lull" for instance, the first story that I read in this collection. It's a weird, complex story about a group of guys playing poker, a phone-sex operator/storyteller, the Devil, a cheerleader, aliens, clones, time travel, and probably a few more things I can't remember. I read it just going along for the ride at first, really having no idea where she was going with it, and then it hit me all at once that what she was really writing about was death and grief and the mourning process. I was overcome with emotion and practically cried throughout the ending. Another one is "Stone Animals" about a family that moves into a new house that turns out to be "haunted" in a sense. It's a long story, almost a novella, that reads stylistically like a minimalist take on domestic tragicomedy, yet at the same time it's creepy and eerie and almost feels like a regular ghost story, yet there doesn't seem to be any actual ghosts in it. The whole time I felt like I was watching this ordinary suburban family self destruct before my eyes and by the ending it felt like things had gone past the point of no return, yet I can't explain exactly what happened. But it made an impression on me, believe me. These are just two examples. Other favorites of mine are "The Faery Handbag", "Magic for Beginners" and "The Hortlak" which are all beautifully complex and heartfelt portrayals of the adolescent/young adult experience, love, and the loss of innocence. If you're at all interested in fantasy, surrealism, experimental fiction, or just plain beautiful writing, please do yourself a favor and check out Kelly Link. Her writing makes the whole world seem like a beautiful place.

Amazing

I stumbled across this book accidentally, read the "Staff Recommendation" and it really intriqued me. Come to find out, the "Staff Recommendation" was for a different book, but I took it home anyway. And I'm extremely happy I did! Kelly Link is just an amazing writer. Her stories are strange yet beautiful and they make a nice little home in your head for a long time after you've read them. She makes me hungry for more. A must have.

Gems

How to describe a Kelly Link story? Charming, odd, sharp, uncomfortable, witty, wistful, strange? Pick a few adjectives and mix well. She makes the strange everyday and the everyday strange. She writes better than most genre (and "literary") writers but never condescends to the genre readers that have embraced her. Link is one of my few must-reads, although I hate to read her stories because then I've read them and can't look forward to reading them for the first time ever again. Which is sad. For instance, I'll never again be able to read the title story for the first time and think how great it would be to have a sort of guerilla television show like "The Library" which airs at unpredictable times on odd channels and features different actors in the same parts. But hey, lucky you if you haven't read this collection -- buy it now! Once you read her stories you'll be glad you did. And then really sorry. (Don't worry, you'll still enjoy them the second, third, fortieth time.)

The year's best fiction

Kelly Link's fiction is so good it's scary, as her lyrical voice is one of the most unique and singular in literature. Her fantastical stories are inimitable reinventions of familiar genre staples (zombies, ghosts, time travel, fairy tales, and more), filtered through a keen literary eye. The fantasy elements in her stories are always underpinned by a grave reality, be it loss of innocence, coming to grief, or family strife, but not at the expense of a story's humor or levity. Somehow, Link's stories capture both the familiar and the unknown, the horror and the beauty in life. I'm not quite sure how she does it. Magic for Beginners, Link's second collection, contains some of her most mature and accomplished stories to date. Personal favorites are "Stone Animals," a domestic ghost story that plays with gender stereotypes, "Some Zombie Contingency Plans," an unpredictable, psychological horror story, and the titular novella "Magic For Beginners," a contemporary dark fantasy story, equal parts Buffy the Vampire Slayer and Videodrome, but which ultimately defies description. I don't know if Link will ever evolve into a novelist (and as long as she keeps churning out short fiction, I won't complain), but if she does, I believe "Magic For Beginners" will be identified as a stepping stone to her eventual longer works. It's actually unfair to single out only a few stories of this 9-story collection, since they are all of high quality (though I'm not too fond of the postmodern stylization over characterization in "The Cannon"). Other gems include "The Hortlak," a hilarious, if somber, post-apocalyptic zombie story, and "Lull," a time-travel story like no other, replete with the devil, cheerleaders, poker parties, and aliens (believe me, it works). Another surprising element in Link's stories, given their complexity, is their accessibility, as the stories in this collection partake of traditional, page-turning storytelling. But don't get me wrong, her stories are not easy reads (they are fun reads!). Link's best stories, due to their narrative and thematic richness, demand (reward) rereading. But this is hardly a chore, because a Kelly Link story will haunt you, calling out to your waking and sleeping dreams. That's the power a perfect story can have. Magic for Beginners, to this humble reader, is the finest collection, and arguably the finest book, to be published in 2005.