These pieces extend and parody the dynamic artistic productions of high modernism that began with St?phane Mallarm?'s Un coup de d?s (A Throw of the Dice), continued with the works of the Italian and Russian Futurists, and reached their apogee in Ezra Pound's Cantos (with their graphic ideograms), Wallace Stevens's Notes Toward a Supreme Fiction, Louis Zukofsky's A, and Charles Olson's Maximus Poems.
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