Dans L'Elaboration du mythe de soi Solveig Hudhomme d montre comment les oeuvres de Samuel Beckett construisent leur propre mythe, mythe d'un espace, d'une int riorit permanente par-del les fronti res textuelles. Cette int riorit , ce que l'on peut appeler "le soi", est un lieu affranchi du biographique, du "moi", mais peupl d'invariants. Cette tude se concentre sur la fa on dont les histoires introduisent un principe de r p tition et de reconnaissance, reconnaissance d'un lieu, d'une trame, d'un personnage. Dans l'ordre du r cit, la contingence laisse place la n cessit .
In L'Elaboration du mythe du soi Solveig Hudhomme highlights how Samuel Beckett's works build a myth of their own, the myth of a space, a permanent inner space going beyond the textual boundaries. This inner place, "the self" as we can call it, is a place liberated from biography, from the ego but also a place in which some invariants can be found. This study focuses on the way stories introduce a principle of repetition so that the reader can recognize a place, a narrative, a character. As the story develops, contingency slowly grows into necessity.
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