
Writing for scholars of modernism, literature, and film, Nicholas Daly considers the way human/machine encounters have been imagined from the 1860s on, arguing that such scenes dramatize the modernization of subjectivity. Although modernity assumes that there is a difference...

Writing for scholars of modernism, literature, and film, Nicholas Daly considers the way human/machine encounters have been imagined from the 1860s on, arguing that such scenes dramatize the modernization of subjectivity. Although modernity assumes that there is a difference...